Sunday A’La Carte: July 27, 2014

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It’s Sunday again. Well, it still is for another couple of hours, as I write this. Eh, better late than never. It’s been one of those classic Midwest summers this week, where the heat index soars high as eagle, and walking outside is like strolling right into a heavy, moist wool blanket. I don’t know about everyone else reading this, but here, the weather sucks mighty buffalo. To say nothing of the mosquitoes and clouds of gnats searching for giant haemoglobin Slurpees such as myself. And as a type-2 diabetic, believe me when I say I’m extra sweet. Fortunately, I work indoors now.

Speaking of where I work, I normally don’t watch broadcast television (more out of laziness than any sense of self-righteousness, here); while the break room at work has the telly on constantly, and this commercial caught my attention:

Amusing, yes; of course, it was the use of the Scorpions’ “Rock You Like A Hurricane” that kept me from reading my book. I did cause to pause a bit: A song from my youth, being used to hawk overpriced brand-name cookies to middle-aged ladies (which is technically my age group, come to think of it)? Nothing like the soundtrack to my carefree High School days being used to boost cookie sales to make me feel old. Besides, considering that Fiber One is supposed to contribute to dietary regularity, I don’t think “Rock You Like A Hurricane” may be the best choice.

escher get up here

The more I think about it, the more it seems to me that the real hero of the Harry Potter series was Severus Snape. Besides, having to put up with the ego of that kid and his mates would make me a bit more cranky than my usual lovable curmudgeonly self.

introverts assemble

33 REASONS WHY HUMANITY IS DOOMED. Read this, and simultaneously despair for humanity, and feel like a god among the ants. It’s like a trip to the local Wal-Mart, only without having to actually go to the local Wal-Mart.

Took the CAN WE GUESS WHO YOU ARE IN ONLY 20 QUESTIONS? quiz that has been making the rounds on Facebook. Eh, it was Saturday morning, and I was what you would call bored. And everyone else kept saying this thing was way off, so I wanted to see how badly this thing could do. And after answering several  questions, here were the results:

1. You are male.
2. You are currently in your mid fifties, still working hard and enjoying every minute of it.
3. You are starting to go bald, but you don’t care about it as much as you thought you would when you were younger. You still have your good looks, your gray eyes and your sense of humor.
4. You have a beautiful loving family, great life-long friends, even the doctor is happy with your annual check up!
5. Things are generally good, and you just wish they’ll stay that way for much, much longer.

Well, they were right with me being male. The others…not so much. Especially number 5, there.

Stuff I’ve written on the blog: I reviewed the movies The World’s End and Skeleton Crew, and the book Doctor Who: Ten Little Aliens.

Currently Reading: The Best Of Robert Bloch. I do so enjoy this man’s body of writing. His style is like if H. P. Lovecraft and Alfred Hitchcock got smooshed together into one being. Which makes even more sense, when you factor in that Bloch used to be pen pals with Lovecraft in his early years, and one of his novels was made into a movie by Hitchcock, a little something-something named Psycho. This collection of short stories is fantastic.

Also, Season 2, Session 18 of NECRO SHOCK RADIO is up for the listening. Bit different, but another great two hours for listening.

That’s all for this week. Hope to get more writing done, as I aclamate myself with my hours and work, and my status as reclusive introvert. Cheers, all.


Movie Review: The WORLD’S END

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the worlds endUniversal Pictures

“I still think nothing that has been suggested in the last 10 minutes beats ‘smashy smashy egg men’.”

20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World’s End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind’s. Reaching The World’s End is the least of their worries.

It’s interesting to note that the whole “Three Flavors Cornetto” movie trilogy concept started as a joke while promoting Shaun Of The Dead. Director Edgar Wright quipped that SotD was the first in the “Three Flavors Cornetto” series (a Cornetto being the ice cream snack brand that Nick Frost’s character craved in the movie, kind of like a Drumstick cone here in the States), and it kind of became a reality. The three movie “flavors” being Horror (Shaun Of The Dead), Action (Hot Fuzz), and finally Science Fiction, which is the focus of this review (obviously). And now I kind of crave an ice creme. Drat.

The World’s End tells the story of a bloke who decides to gather up his high school mates to finally finish the entirety of a pub crawl they didn’t manage to finish back when they graduated high school for…reasons. It takes some convincing, but they all take a holiday and head out to their hometown of Newton Haven for a fun time. In theory, anyway. Things don’t go exactly as planned, however, when they start noticing that the pubs they remember have changed. Sure, there’s the fact that it’s been 20-some-odd years, and the axiom “You can’t go home again” rings true; but things are a bit more odd–like all the pubs looking the same. Or hardly anybody remembering who this band of prodigals are. Or the fact that many of the citizenry seem to be robots. And no, I didn’t just spoil the entire thing for you.

Once again, Edgar Wright has crafted a richly nuanced genre picture that’s a bit more than the sum of its parts. Really, The World’s End is more of a smartly written character drama with a science fiction twist and generous dollop of dry British humor. All of the actors do fantastic jobs, bringing palpable depth to their characters, especially Simon Peg and Nick Frost, but that’s to be expected by now. The script was well-written, delivering some great dialogue and manages to take the hodgepodge of genre elements and making a delicious whole concoction.

Overall, The World’s End was a fantastic watching experience, hitting all the right buttons, making the time fly by. As far as I’m concerned, this is a fine capper to this unofficial trilogy, but if Edgar Wright wishes to continue making movies like this, I won’t be complaining. Taken as a stand-alone movie, The World’s End comes highly recommended, not just for genre heads. By itself or taken with the other two movies, you shall enjoy yourself immensely.


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skeleton crewAnchor Bay Entertainment

“Can’t you see? This is like a bad movie.”

In the Early 1970’s a remote mental institution next to the Russian border was shut down by the police. Before it was closed, DR Anderson made a series of snuff films using his patients. The doctor filmed all the murders in 8mm, and started to call himself “The Auteur”. Thirty years later, an American film crew arrives in Finland to shoot a horror movie about the massacre, and are unaware that they are about to become the stars of their director’s real life snuff film, they are in one. The Auteur is slaying the Skeleton Crew one by one.

Skeleton Crew is yet another low budget horror flick that goes for the “meta” style of story–i.e., self-aware, a movie-within-a-movie setting, that kinda thing. Basically, we start off with a 1970s style slasher, where a brother and sister get into a bad accident and manage to find themselves being “cared for” by a mad scientist, when someone yells “CUT!”, and we find that we’re on location in Finland, when the confines of an abandoned mental hospital, where the movie is being filmed by a director who’s just a bit on the egotistical side, and his group of beleaguered thespians and grunts. While searching around the abandoned building, they stumble upon a secret room with a projector and a bunch of films of a doctor’s, um, “hobbies” let’s just say. The rest of the crew aren’t that impressed, but the director becomes obsessed, to the point of using his actors and crew to add to this collection himself. Wackiness ensues.

Overall, Skeleton Crew was better than I expected, in as much as there was some actual competent talent in the execution. The acting was tolerable, the editing was decent and the effects doable, and it wasn’t overly long, nor did I get bored much while viewing this. There are the requisite exploitation shenanigans that horror movies always feel the need to shoehorn in. Meh.

A good way to kill some time (no pun intended), Skeleton Crew is watchable and decent, but not really that memorable. Watch once and move on with your night.

Book Review: DOCTOR WHO: Ten Little Aliens

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ten little aliens 50th Ten_Little_AliensStephen Cole
BBC Worldwide / BBC Books
2002 / 2013

Deep in the heart of a hollowed-out moon the First Doctor finds a chilling secret: ten alien corpses, frozen in time at the moment of their death. They are the empire’s most wanted terrorists, and their discovery could end a war devastating the galaxy. But is the same force that killed them still lurking in the dark? And what are its plans for the people of Earth?

About a year after the big 50th Anniversary media celebration of Doctor Who, and I’m finally getting around to reading the eleven novels released, each featuring one of each incarnation of the Doctor. And since I not so much suffer as I revel in my slight case of CDO (it’s like OCD, but in alphabetical order LIKE IT’S SUPPOSED TO BE), I’ve started with the First Doctor novel in the collection: Ten Little Aliens.

As the title implies, the inspiration for this tale was the works of mystery writer Agatha Cristie. Matter of fact, in the introduction by author Stephen Cole, the concept was essentially “Starship Troopers meets Agatha Christie”. And this is essentially what this is–the Doctor and companions Polly and Ben stumble upon a murder mystery on a planetoid in the outskirts of the Earth Empire. The bodies of ten renegade aliens are suspended in time stasis, while a team of space Marines (not the first time I’ve written “space Marines”, an something tells me it won’t be the last) arrive to do some drills with a couple of kill-bots (not the first time I’ve written…you know what, forget it), but instead stumble upon both the bodies and travelers of that mysterious blue box that really shouldn’t be there. Awkward enough, but things get weirder when mysterious living angel statues (that are NOT the Weeping Angels, I assure you) start popping up, and bodies both living and otherwise start disappearing, and the ones that haven’t disappeared are beginning to turn from human to alien. And one chapter is written like a Choose Your Own Adventure story. I’m not making that up.

As a First Doctor tale, Ten Little Aliens was fantastic. The idea to make this an Agatha Christie style murder goes beyond merely conceptual–the author actually discussed the idea with Christie’s daughter Rosalind Hicks while researching an article on the mystery writer for an article and discovered that the family were fans of Doctor Who since the early days of the show–and you can tell the amount of effort that was put into the story. This isn’t just Hardy Boys in space (though…admittedly that kind of story would be cool); the story kept me guessing, the red herrings were good and effective, and the overall feel was tense and claustrophobic, making this one hum-dinger of a page turner. Even without the inclusion of The Doctor and his companions, Ten Little Aliens would have worked as a nice sci-fi mystery yarn.

But, Ten Little Aliens is a Doctor tale, a “Who-dunnit”, if you will (I’m quoting the author from the introduction, put the blunt objects down), and it’s a good one. My copy is, obviously, the 50th Anniversary reprint. Great story, satisfying read, recommended on multi-genre levels, here.

Sunday A’La Carte – July 20, 2014

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Welcome to another idea of mine, in my ongoing quest to utilize my blog for my various writings and brain droppings, instead of wasting them all on my Facebook page (you did know I had a Facebook page, right? No? Go friend me right now, this I command you). Basically a mish-mash of ramblings, brain droppings and news-y bits in my life, copied and pasted onto here. Hopefully, I can keep this going as a regular thing, instead of just sporadic, as it has been the past few weeks. Ready to dig in? Too bad, ’cause here we go…

…first of all, two rather unfortunate celebrity deaths to report: First is James Garner, known to many as the original Maverick (and later Maverick’s dad in the movie), and to many others as the lovable blue collar private investigator Jim Rockford on The Rockford Files. I knew the actor best by the reruns of The Rockford Files that played in the summer afternoons on the local syndicated UHF channel here, usually in a three-hour block between Magnum P. I. and Simon & Simon back in the day. He kind of reminded me of a great uncle I once had. He shall be missed.

…the second death to report is more because this one came out of nowhere: Skye McCole Bartusiak died at age 21. Don’t recall the name? She played Mel Gibson’s youngest daughter in the movie The Patriot. Yeah, that adorable little half-pint that everyone wanted to scoop up into their arms and rock to sleep. In this case, though, the cause of death wasn’t your clichéd “young Hollywood child actor” death; this time, it was epilepsy. And as someone who knows friends and family members who live with this, it turns my blood to ice to think that they could be gone like this. Scary, to say the very least. My thoughts and prayers go out to the family and friends of both actors, natch…

…overheard: “I’ve dated enough married guys to know that marriage is vastly overrated.” Um, wha? I cannot even begin to tell you what’s so very wrong with that statement…

…did you know that my ongoing experiment in Brutal Music Therapy: NECRO SHOCK RADIO, has been dwelling at the old Blogspot this entire time? I tried posting it here exclusively for a while, but decided to not close out the Blogspot and use that, simply because it allows me to use the code for the streaming bar a bit easier than it does here on WordPress, for some odd reason. Series 2, Session 17 went up on Wednesday. Go over there and check it out, my wonderful freaks…

…is it August 23rd, yet? No? Drat. Can’t wait for the new episodes of my favourite British import, featuring the new Doctor. I think he lends a much-needed old school charm to the character, just by his looks alone. Until then, I’ve been reading the 50th Anniversary set of novels, and watching some of the classic Doctor Who eps to whet my appetite for new Who. Speaking of which…

…just finished up the First Doctor novel Ten Little Aliens, which is sort of an homage to the Agatha Christie novel And Then There Was None. Think if Starship Troopers was a game of Clue!, and you’ll get the idea. Incidentally, one of the chapters is written in a Choose Your Own Adventure style. Interesting…

…on this here blog, I wrote about my beard, and reviewed albums by Soul Embraced and Chained

…and finally, a shout-out to my sister and brother-in-law, who loved me enough to pick up these awesome shirts for me during their trip to Navada a few weeks ago:

CAM00121 CAM00122

…I have the greatest family ever.

And that’s all for this week. Cheers, all.


Movie Review: X3: X-Men’s Last Stand

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X-MEN 320th Century Fox

“Logan, we work as a team!”
“Yeah, good luck with that.”

In the aftermath of the second movie, it appears that relations between homosapiens (humans) and homosuperiors (mutant humans) have found a peaceful middle ground. But, after the government discovers a “cure” for mutations, and begins a campaign to offer those mutants who want to be integrated back into normal society a chance to do so, Magneto begins to gather together an army of mutants who don’t think they need to be made “normal”. Standing in his way is Professor Xavier and his X-Men, who are also divided philosophically with the cure’s ramifications. To make matters worse, Jean Grey has resurfaced (literally), with tremendous powers and completely insane. When she migrates to Magneto’s side, the proverbial crap hits the fans and the X-Men find themselves in a showdown that not all will survive…

WARNING: Geeky spoilerific whining ensues…be ye warned…

It’s apparent that, after reading a few reviews online after watching this third installment of the X-Men franchise, perhaps I am one of the few people that actually enjoyed this movie. Friends and critics so far have panned it, calling X3 the weakest movie in the trilogy. Some have some pretty valid points to that end. Some just wanted to nit-pick in the way that only die-hard comic geekity-geeks can (Gwr Gwir, I’m looking in your direction). Let me tell you what I think…as if you wern’t expecting it…

First, what I completely loved about the movie: From the opening sequences of the movie, it offers some slick sequences that afore-mentioned comic fans can appreciate- we see Prof. X and Magneto (back when they were still friends and Xaviar is still walking) first meet a young Jean Grey, the introduction of the teenaged Angel, and then a brief yet joygasmic romp in the Danger Room, a Sentinel (though not in full view), and the fan favorite Fastball Special maneuver. I just about wet myself. The effects are fantastic, as per usual, my favorites being the re-emergence of Jean Grey from the lake, the floating rocks on the shore (creepy), Magneto’s car-crushing when rescuing Mystique, and of course the massive battle sequence at the end. We get Wolverine going berserker on a bunch of Magneto’s cronies while trying to rescue Jean. And to top it off, people die. Not just a bunch of second-tier mutants (and there are a bunch of them, no doubt), but a few established and beloved characters as well. This is the point of contention with many of the negative reactions to the movie. I, however, aplaud the fact that they had the boys to off them in that fashion. Gives a nice bleak feel of finality to the movie…

Now, the not so great points. I admit, during the entire thing, I felt that a lot of what made the first two movies great (namely, deep characterizations) was put on the back burner for more of the whiz-bang and jaw-dropping special effects. I mean, sure there are many new mutants in this one, and instead of utilizing this to full effect, many just felt like throwaway characters. Multiple Man? Meh. Juggernaught? Wasted potential. Angel? Well, he’s there. As far as Beast goes, Grammer was a spot-on choice for the roll, but I wanted more. More, I tells ya.

What really didn’t set well with me is the way the main established characters were used. Or, more to the point, weren’t used. For all his badass glory, Wolverine felt a bit, as Jean Grey put it, domesticated. Pyro, while you could really touch on his angst and inner turmoil in the second movie, just comes off as a cocky punk you want to slap around. Rogue was woefully underused, and the whole “love triangle” angle between her, Iceman and Shadowcat was completely wasted. And Storm? Why give someone more screen time when you’re not going to do anything with it? And don’t get me started with some of the dialogue…

Now, a minor geekout: While the way Jean was portrayed here was really cool, rendering the whole Phoenix thing as a split personality rather than the cosmic entity amused me. Sure, I understand the difficulties of trying to translate a storyline from a classic comic run to make it feasible in a movie, but here this made Jean seem more like the Scarlet Witch rather than the Dark Phoenix, especially in that dress…

All contentions aside, I really feel that this movie hasn’t been given a fair shake. While I agree that the powers that be should have let the movie bake for another year, just to get things fleshed out, X3 is still, I feel, a nice action movie that has a dark tone. I loved it.

But then again, I happen to love movies that other people hate.

Movie Review: PUNISHER War Zone

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“Yummy, yummy, yummy in my tummy, tummy, tummy.”

After hunting down and killing hundreds of violent criminals, Frank Castle, aka The Punisher, faces his most deadly foe yet: Jigsaw. Things go boom. Heads go splatter. Brain hurt badly…

I’m going to go out on a limb and say that, for all its flaws, the 2004 Punisher movie staring Thomas Jane was the perfect one of the three that have been made so far. Yeah, I know it seems odd that I’d be talking up another movie in a review (actually, I do it all the time, you should be used to it by now), but after watching Punisher War Zone recently with my long-suffering compadre Boz-Man, there’s just no comparison. But since this review is about Punisher War Zone, I’ll stick to the subject at hand. Or at least try to the best of my unfocused abilities.

Officially speaking, Punisher War Zone is a reboot. That makes two reboots thus far. But, the origin story itself is regulated to a very brief “flashback” image, and a couple of mentioned by a couple of other characters. Usually, that’s reserved for a sequel — one that, say for instance, uses a subtitle like, just throwing this out here, “War Zone” — which, for all intents and purposes this movie could have been without anyone really raising that much of a stink. But, I guess technically “different origin means reboot”, or something like that.

See, what gets me about Punisher War Zone is how completely devoid of personality the movie really is. Yes, one could argue that this is based on a rather violent comic book that wasn’t exactly character-driven. And it would be valid. But one thing the 2004 movie had is an actual engaging story: it took time to build up not only Frank Castle’s back story, but also the mob boss’ reasons for going after Castle, which gave them all a depth we can all sympathize with. Here, all we have is a psychopathic antihero making things go boom, with his reasoning for doing this regulated to a line or two of dialogue here and there. You don’t care about any of the characters (and when Wayne Knight is perhaps the best thing to happen to the movie, one needs to rethink the whole thing), the bad guys really chew up the scenery like Pac-Man on blue ghosts, and the pacing is one big sloppy mess. Seriously, this is a bad movie, even by mindless action movie standards. And once again, I find myself lamenting wasting that dollar I used to rent this thing…pass…

Movie Review: PROM NIGHT (1980)

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PROM NIGHTAnchor Bay Entertainment

“It’s not who you go with, honey. It’s who takes you home.”

Six years after a fateful game of “killers” (kind of a modified hide and seek, with the “it” person calling out “The killer is coming!” while seeking out their “victims”) that resulted in the accidental death of a ten-year-old girl, the now-teenage kids are about to go to Prom. Only, someone linked to the death six years ago is out to take revenge…

I understand. Disco music makes me want to kill, too. But, *ahem* anyway…

I kept hearing from other fans of teen slasher flicks that Prom Night was one of the classics of the genre. That I’m really not a fan if I don’t at least own a copy of this, along with the original Halloween, Friday The 13th and Sleepaway Camp. Well, I now own Prom Night, which is the only one of the list that I’m quoted as essentials. Guess I’m just a poser then, huh? Only, I have this because it came as part of a four-pack I picked up at Best Buy, so…bite me.

Personally, compared to the others, Prom Night isn’t exactly the greatest classic in the genre. On the contrary, the film is terribly dated, as the post 1970s styles that permeated the very early 80s, along with extremely annoying disco music and the cheesiest of high school stereotypes…yep, this one’s more like one of those old ABC After School Specials, only with more skin and a few killings.

The plot does take a while to get to the point (literally and figuratively), but that’s not really a quibble, as it helps establish some depth to the main characters. And when it did get down to the payoff, the use of the darkness with the killer’s all-black costume (nothing fancy or gimmicky…which is refreshing considering that every psycho killer movie since had to have one) added to the sense of claustrophobic dread.

The thing is, really, was I was told that I would never guess who the killer was, and the ending would surprise me. Not true. Mayhaps I’ve watched too many of these things, but I pretty much guessed who the future killer would be in the opening flash back. It’s not that hard, really, if you mind the formula. Regardless, I did like the way they kept throwing in red herrings to throw you off the trail.

In any case, Prom Night may be considered a well-loved classic in the genre, but personally I don’t think it holds up that well with other established classics. Good for an afternoon rental…

Movie Review: PREDATORS

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PREDATORS20th Century Fox

“Does this look like a team orientated group of individuals to you?”

Chosen for their ability to kill without conscience, a group of killers, some trained and some who are not, must endeavor the alien race of predators that have set out to target them as prey. Dropped into the vast jungle of a distant world, these human predators must learn just who, or what, they are up against, and that their ability, knowledge and wits are tested to the limits in the battle of survival of kill or be killed.

After a couple of dismal Alien Vs. Predator movies that left a bad taste in my mouth that still lingers after all these years, the prospect of another movie staring those iconic alien hunters was a rather chancy idea. Something like that needed someone who understood the basics of what made the original 1987 movie work (and the sequel too, to a lesser extent), who had a great respect for what came before, and could convincingly build upon that base in a way that was new without insulting the fan base. Someone who wasn’t Paul W. S. Anderson, in other words. Enter rogue film maker Robert Rodríguez to produce, who for me is one of my favorites in any genre. There was a lot for him to step up to, with this. So how does his take on the Predator franchise fare?

Personally, after watching this movie, I believe that Rodriguez achieved with Predators what Christopher Nolan did with Batman Begins; not only is this a very worthy sequel to the original, but essentially he made a Predator movie that the fans have been clamoring for since 1990. Bold words, I know. And I’ve already read other reviews that claim this is a weak movie, mostly due to “it takes too long to get to the Predator killing and junk.” Whatever. These I would wager a guess and say they either have never seen the original movie, or it’s been a while since they have seen it. In other words, novice “fans” who have only known the AvP movies and video games that came out in the past decade. As I recall, it took a while to get to the Predator “junk” then, so that argument is weak sauce.

No, what we get with Predators is a movie that stays very true to the source while being its own movie. It has some surprisingly good characters, fleshed out and tangible. I was a bit dubious with the idea of Adrien Brody as an action lead, but he pulls it off. Not that Arnold needs to start worrying or anything. All the actors were great with their parts…and yes, that includes Mr. Topher Grace. The story was engaging, and the pacing I felt worked to the story’s benefit. The visuals were awesome, and while there were some rather obvious CGI renderings, especially with the Predator pooches, it’s still breathtaking. There’s this one scene where the group realizes that they may not be on their own planet that simply awed me with the panoramic view. There were subtle nods to the previous movies, with one that seemed a bit out-of-place not being uttered by The Arnold. I also liked how they built upon the idea that there were different Predator types, like how “wolves are different from dogs.”

I could go on, but I’ll just boil things down to this – Predators is a truly worthy successor to the original movie. Sure, it’s flawed and there were a handful of rather predictable plot points, but in the end Predators is a great summer sci-fi action flick that ranks above-average from the others we’ve gotten in the past decade. Do yourself a favor, and try and catch this on the big screen some Friday night with friends.

Movie Review: The PLAGUE

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PLAGUEArmada Pictures

One fateful morning, every single kid the age of 9 and under fall into a mysterious coma. Every child that’s born after that day are also in that mysterious “waking sleep”. And the world is left to watch helplessly as the future of mankind literally lies dormant and unresponsive. Flash forward ten years, and newly paroled Tom Russell has arrived back to his small hometown to find that the world that he knew before being thrown in the hoosegow has changed forever. Well, until that night, as that’s when all the plague victims decide to “wake up”, and faster than you can say “he who walks behind the rows”, they start offing the adult population left and right. Rather than waiting for his life to be over, Tom gathers together a small band of survivors to try and escape the town, and perhaps learn the whys of what’s happening…

You know, I promised myself I wouldn’t make a silly reference to Dawson’s Creek in this review, but I really couldn’t help myself.

Regardless of Clive Barker lending his name to this flick (he’s only the executive producer, which is shorthand for “money for nothing”), I couldn’t have found a better direct-to-DVD independent chiller to lend a name to. The entire feel of this movie is classic John Carpenter, from the creepy sets, characters, right down to the minimalist soundtrack. I was drawn in by the premise, hooked by the “something’s not right” vibe, and pretty much anchored by the spot-on acting (James Van Der Beek handles his part with surprising restraint and realism…you really get that he’s a guy who’s trying to make up for a past mistake).

For the first hour or so, I was completely enjoying myself. The Plague had a complete Village Of The Damned meets Prince Of Darkness vibe going for it. What drug it down in the last half-hour was, to me, the incredibly confusing attempt at explaining the “whys” of the pseudo-zombie kids. There appears to be some kind of hive mentality going on with them (i.e.- one of the teens does something, then all of ’em knows how to do it), but the script doesn’t say anything about it. Like, one scene they’re just bludgeoning the adults to death…and then next thing you know, they’re wielding guns. An explanation on to how they got to that point would have been nice. The ending itself made me scratch my head, as it made no sense. I’m not going to reveal it, as I think you should watch this movie, but trust me…don’t expect a satisfying end to this.

Otherwise, The Plague is a nice little flick with a great story, creepy premise, and some very squeamish gore. It’s a rarity that something like this pops up…

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