King looked back at Roland. “As The Man With No Name–a fantasy version of Clint Eastwood–you were okay. A lot of fun to partner up with.”
To give birth to her “chap,” demon-mother Mia has usurped the body of Susannah Dean and used the power of Black Thirteen to transport to New York City in the summer of 1999. The city is strange to Susannah…and terrifying to the “daughter of none,” who shares her body and mind. Saving the Tower depends not only on rescuing Susannah but also on securing the vacant lot Calvin Tower owns before he loses it to the Sombra Corporation. Enlisting the aid of Manni senders, the remaining katet climbs to the Doorway Cave…and discovers that magic has its own mind. It falls to the boy, the billy-bumbler, and the fallen priest to find Susannah-Mia, who, in a struggle to cope with each other and with an alien environment “go todash” to Castle Discordia on the border of End-World. In that forsaken place, Mia reveals her origins, her purpose, and her fierce desire to mother whatever creature the two of them have carried to term. Eddie and Roland, meanwhile, tumble into western Maine in the summer of 1977, a world that should be idyllic but isn’t. For one thing, it is real, and the bullets are flying.
Here we are, the penultimate edition in the overall Dark Tower series, and…things get wonky. I mean, things have gotten wonky in past books, yes; this is, after all, a fantasy epic, in the same vein as The Lord of the Rings, by way of Sergio Leone. But, where the previous novel had only a little bit of the ol’ time-and-dimensional hopping shenanigans, Song of Susannah goes entirely Masters Of The Universe: The Movie. You know, the live action He-Man movie that didn’t have the budget to set things in Eternia, so He-Man and the gang wind up in New York for most of the time? Yeah, this is the Dark Tower novel that’s set in our dimension, at different points in history. Specifically, 1977 and 1999. But, I’m getting ahead of myself, here.
So, after Susan got all possessed by her unborn demon child and escaped into the dimensional doorway into New York of 1999, closing said door and throwing away the proverbial key, Roland and the remaining Ka-tet members–Eddie, Jake, Oy, and including Father Callahan–manage to open up another magic door and go in…only, Jake, Oy and Father Callahan wind up in 1999 New York, where Susannah/Mia have shown up at, while Roland and Eddie are sent to 1977 Maine. Roland and Eddie manage to fend off enemies sent by the Crimson King and get the deed to the land that has the rose in New York, and then get all super-meta when they pay a visit to Stephen King. Mind you, it’s 1977 Stephen King, and is considered the conduit for which the story of the Dark Tower saga transmits itself. That, and the Gunslinger and Eddie’s presence in Maine causes reality in the town to go all wonky and “thin”, as it’s mentioned. And thus Roland encourages this “wordslinger” to continue with the writing of the Dark Tower saga. Meanwhile, in 1999 New York, Susannah/Mia are taken to a restaurant called the Dixie Pig and is preparing to give birth to that unholy spawn, attended to by the Crimson King’s men, as Jake, Oy and Father Callahan show up and prepare to storm the restaurant to rescue Susannah. Then we end things by discovering via journal entries that Stephen King the character died in 1999. Wacky.
Considering the shadows of our world showing up in Ronald’s world, and the fact that The Drawing of the Three spent a goodly chunk of time in (for lack of a better term) our real reality (albeit something of a slightly altered history version), the characters jumping to different points in time in our reality wasn’t something suddenly utilized to shake things up. Also, authors appearing in their own novels isn’t anything new, either. And in a way, Stephen King writing himself into this story actually fits in the narrative; the fact that he was rather self-depreciating when he did it, making him come off as a bit of an arsehole that got on Ronald’s nerves a nice way of downplaying what could have been a cheep ego boost.
Overall, while the twists and turns do tend to give you a bit of motion sickness, Song of Susannah nevertheless was rather engaging and entertaining.