movie-review-ouija-origin-of-evilUniversal Pictures
2016
PG-13

“Do you know what it feels like to be strangled to death? First, you feel the pressure in your throat. Your eyes water, and you start to taste something very, very sour in your mouth. Then it’s like someone lights a match right in the middle of your chest, and that fire grows. It fills your lungs, and your throat, and all the way behind your eyes. And finally, that fire turns to ice; like pins and needles of ice are sticking into your fingers, your toes, your arms. You see stars, then darkness. And the last thing you feel… is cold. Goodnight, Romeo.”

In 1967 Los Angeles, widowed mother Alice Zander unwittingly invites authentic evil into her home by adding a new stunt to bolster her seance scam business. When the merciless spirit overtakes her youngest daughter Doris, the small family must confront unthinkable fears to save her and send her possessor back to the other side.

So, it seems that, despite Ouija being something of a dull snoozefest of a horror movie, the demographic it was aimed at with its PG-13 rating (young teenagers looking for Junior Thrills to feel all edgy and adult-like and stuff) still went out and made it a bunch of money, warranting a green-light for a sequel. Or something like that. That’s the only way I can rationalize something like Ouija getting a sequel made in the first place. It happens all the time, and that’s what is said about it to justify a sequel, “it made money”.

Control yourself, Uncle NecRo. Deep breaths. Don’t want to spend the entirety of this review lamenting how mediocre movies are more popular than actual good horror movies that remain and languish in obscure cult status. You’re here to talk about the sequel to Ouija that is really a prequel to the story in Ouija.

As you can imagine, I wasn’t looking forward to Ouija: Origin Of Evil. Even though I watched it back-to-back with Ouija as part of my standard Weekend of Horror/Sci-Fi Marathon, after watching the first one, I was sorely tempted to find an alternate title to cleanse the taste of mediocrity from my brain. Fortunately, though, Ouija: Origin Of Evil managed to do that by itself, just by being a vastly better movie than its predecessor.

Ouija: Origin Of Evil is a prequel to Ouija, in that it tells the story of the family that lived in the house previous to the characters in the first one, and how the titular board game came to touch their lives with whimsy and wonder by way of black magic.

Set in the 1960s, Alice, a single mother, is struggling to make ends meet to keep a roof over the heads of her and her two daughters, teenager Lina and grade schooler Doris. She does this by holding seances and other things that self-employed psychics do out of her house, most of which are, in fact, illusions and tricks employed to make the clients think they’re making contact with the other side.

You can probably see where this is going, but bear with me, here.

One night, after sneaking out of the house for a intimate shindig with friends, the oldest daughter plays the Ouija board for the first time (ending up with hilarious results), and suggests to her mother that they add it to their act to pump things up a notch. And so she does. And upon taking it out for a spin the first time, seems to unleash an entity that’s been tied to the house for decades before Alice and her minions took over residence. Or, as it turns out, a whole bunch of entities that have been stuck in the house due to a Nazi war criminal. Yeah, it’s always has to do with Nazis, doesn’t it. Anyway, one particularly nasty one takes possession of Doris, which leads to a whole bunch of creepy and downright bone-chilling supernatural shenanigans, which lead up to a bunch of other possessions and deaths that help set up that one scene in the first one that turned out to be the best part of that movie. Post-credit scene cameo from the Doris from the first movie, and booya, a far superior movie has been experienced.

Look, I know the why and the how Origin Of Evil is the vastly superior Ouija movie. This time around, there was a good script, a very good cast, which included one of the most convincing Creepy Child actors I’ve ever had the pleasure of getting creeped out at while watching this. Seriously, whether it was her staring at someone while smiling with an off-putting vibe, or cheerily describing to someone what it feels like to be choked to death (in one of the more amusing scenes, because she was playing with the head of her older sister’s would-be boyfriend), or gradually going all Evil Dead in the background shadows…yeah, that kid has made my Top 5 list of favorite Creepy Child characters. Maybe one day I shall share it with you. But for now, let’s finish up this review.

If you were given the choice between seeing only one of the (so far) two Ouija movies, I would strongly urge you to watch this one: Origin Of Evil. It’s a horror movie that does everything right, with minimalist effort. In other words, it seems that everyone involved learned their lesson from the first movie. Either way, check this one out, as it’s strongly recommended from your Uncle NecRo.

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