HALLOWEEN’ING Day 25: The Anatomy Lesson

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halloween'ing 2017
swamp thing 21
Utter the name of Alan Moore, and usually the first things to spring to mind is his seminal works Watchmen and Batman: The Killing Joke. (Utter the name of Alan Moore three times into a mirror, and he will appear behind you with a pint and a grumpy British disposition) Maybe the last Silver Age Superman story, “Whatever Happened to the Man of Tomorrow?” There’s no denying that Alan Moore’s work on DC titles had a kind of magic to them. One particular character in DC’s stable that he managed to reinvent–and do so convincingly–was Swamp Thing.

Originally, Swamp Thing was a scientist that, due to sabotage, mutated into a plant-based swamp monster. When the first proper Alan Moore-penned Swamp Thing story was published in The Saga of the Swamp Thing #21, it was revealed that, rather than being a mutated version of the scientist, instead Swamp Thing was a plant elemental that absorbed the memories and personality traits of the dying scientist, and since then actually believed itself to be the scientist. After discovering the truth in this issue, well…he’s none too happy about the reveal.

My copy of this issue is the Millennium Edition reissue on the Vertigo label that was reprinted in black and white in 2000. That was during my Collecting All Things Alan Moore era. I would advise, my tender dumpling, to get the trade paperback collecting Alan Moore’s entire Swamp Thing run.




Movie Review: WONDER WOMAN

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wonder womanWarner Bros.

“I used to want to save the world, this beautiful place. But the closer you get, the more you see the great darkness within. I learned this the hard way, a long, long time ago.”

Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, Diana meets an American pilot who tells her about the massive conflict that’s raging in the outside world. Convinced that she can stop the threat, Diana leaves her home for the first time. Fighting alongside men in a war to end all wars, she finally discovers her full powers and true destiny.

So, by now, if you’re reading this, you fall in one of three categories: 1) you’ve already watched Wonder Woman (perhaps multiple times), 2) you have yet to watch Wonder Woman, as you’re still iffy about the possible quality due to the track record of the previous DC movies in the past couple of years, or 3) you’re trying to find something to be angry about to satisfy your inner sense of political self-righteousness. I wish I could say I was joking about that last part.

Anyway, Wonder Woman. Officially the fourth movie in DC’s Extended Universe, this one had the stigma of needing to be not as bad as the previous films turned out to be. I say this as the general overall perception of the previous films; you might recall that I ended up liking Man Of Steel a bit more than most of all fandom did. Batman v. Superman was a hot mess, while Suicide Squad was also a hot mess, but a far more entertaining hot mess. As such, by the time Wonder Woman rolled around, my expectations were rather low. All the movie had to do was not suck obnoxiously, and it would be the best DCEU movie of the bunch. And on that basic front, Wonder Woman succeeded. Boy howdy, did it succeed.

After a prologue scene where Diana Prince receives a special package from some guy named Bruce Wayne, we’re taken back to the Greek island of Themyscira, the home of warrior women called the Amazons, at a time when she was a precocious little tot who wanted so badly to be a warrior like everyone else, but her mother–Queen Hippolyta–would rather she pursue a more mundane existence, for her own good. Diana’s aunt, however, disagrees with the sentiment, and begins training the young girl in secret. In time, though, they are found out, which leads to…Diana getting even more training. And after a surprise hint as to Diana’s true nature, in comes the first male to visit Themyscira since ever, with WWI pilot Steve Trevor crashing into the coast. After Diana rescues him, the Germans soon invade, causing havoc and, after interrogating Trevor, Diana decides that Aries, the god of War is behind this World War (under the guise of German General Ludendorff), and sets off to kill him to bring peace to mankind. After a brief stint in London, Diana, Trevor and a motley crew travel to the front lines, where Diana wastes no time in invading No Man’s Land, takes out a machine gun nest, whups a bunch of Germans into submission, and punches a tower (the tower loses) to liberate a small Belgium village from the occupation it was under. However, General Ludendorff decides to wipe out the village the next day with a big ol’ Mustard Gas bomb, which pisses Diana off even further, and she goes off and manages to kill Ludendorff…only Ludendorff isn’t Aries. In a twist that everyone saw coming miles away, the real Aries shows up, he tries to explain that mankind isn’t under his spell, that mankind is capable of all sorts of atrocities by themselves, which clashes with Diana’s sense of altruism, which leads to a big fight with lots of damage and ‘splosions and stuff. Meanwhile, Trevor sacrifices himself to save London from being hit with a cargo plane full of Mustard Gas, Aries is defeated, and we flash back to current times where Diana decides that the power of love will blah blah blah, something-something I’m Wonder Woman now. The end.

It took them a few times in this shared universe of theirs, but DC has finally stumbled upon the formula for making a superhero movie feel like a genuine superhero movie. The tone and feel really brings back the sense of (no pun intended) wonder that Richard Donner’s Superman The Movie did, where you’re watching and manage to go beyond seeing some actor dressed as Wonder Woman, and believing it really is Wonder Woman. With maybe the exception of the CGI heavy boss fight at the end (yeah, it did feel like a video game cut scene), the two-and-a-half run time didn’t seem that long at all.

I went into Wonder Woman expecting it to fail, and wound up suddenly having hope for the other DC movies coming up after this. We’ll see. In the meantime, if you still haven’t seen Wonder Woman, go do so now while it’s still in theaters. Assuming you’re reading this while it still is.


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suicide-squadWarner Bros.

“Huh? What was that? I should kill everyone and escape? Sorry. The voices. Ahaha, I’m kidding! Jeez! That’s not what they really said.”

Figuring they’re all expendable, a U. S. intelligence officer decides to assemble a team of dangerous, incarcerated supervillains for a top-secret mission. Now armed with government weapons, Deadshot, Harley Quinn, Captain Boomerang, Killer Croc and other despicable inmates must learn to work together. Dubbed Task Force X, the criminals unite to battle a mysterious and powerful entity, while the diabolical Joker launches an evil agenda of his own.

I have to say that, finding a way to start off this review is proving to be a challenging one. By now, everyone has known about this movie and its hiccups getting onto the big screen. The extra shoots ordered in the aftermath of the Batman V. Superman backlash. The predictions of failure long before it was even released, the criminally low rating on Rotten Tomatoes that created an outcry. Jared Leto’s shenanigans. All I knew was, this being a movie based on a comic book title that I really didn’t know much about, outside of the general concept of the DC Universe’s bad guys brought together by way of the government agency for covert missions, this was kind of an odd choice to add to the budding DC Cinematic Universe. Because, while the comics have their fan base, and from what I understand they’re rather good, Suicide Squad is not exactly the first thing that springs to mind when one mentions DC Comics. It may not even be the fifth thing. Or the tenth. Then again, no one was expecting Guardians Of The Galaxy to be any good, so what do I know?

And of course, it was mandatory watching with the Exalted Geeks the weekend it came out. We even recorded a podcast about it, right here. But as for my own gathered together and jotted down thoughts on the movie…

Of the three DC movies that have been released in this series, I would have to say I like Suicide Squad the best. I think it’s easy to understand why; by default, because of its wackier tone, this one was much more fun than Man Of Steel or Batman v. Superman. It’s still dark and gritty, but at least it wasn’t a two hour angst-y wank-fest to sit through.

That’s not to say that the movie was without its flaws. That’s a given. However, the character dynamic seemed to work much better, combined with the action and the story itself, the time didn’t seem to drag and I found myself enjoying how this was playing out. The actors associated with the characters were decent enough; Will Smith once again played Will Smith as Deadshot, essentially the DC analog of Marvel’s Bullseye, only cooler. I don’t know about everyone else (I try to stay away from the nerd whining on the internet as much as possible), but I actually enjoyed Margot Robbie’s turn as Harley Quinn; I found her character rather amusing yet chilling, as fitting for the love interest for the arguably greatest villain in the DC Universe. And Viola Davis was dead-on perfect as the equally chilling Amanda Waller. Gads, you do not want to cross her. Ever. As for the other characters…well, they were adorable, but were just kinda there.

As far as the story goes…it’s your standard covert ops action movie that features a science fiction bent and pretty impressive effects. It’s better than average, in that it entertained me enough to make me not notice it’s over two-hour run time. I do think, however, that the whole Joker subplot wasn’t really needed; for that matter, barring further portrayals in future DCU movies building on his character arc, I don’t think I’m going to think more than just a “meh” as to Jared Leto’s take on the Clown Prince of Crime.

Overall, while I think that DC/Warner Bros. has a long way to go to get their stable of heroes up to the quality of films that Marvel has been knocking out of the park, the end result of The Suicide Squad is definitely a step in the right direction. Worth a rental, at the very least.

HALLOWEEN’ING 2016: Day 25 – House of Secrets: Foundation (Vertigo)

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During the heyday of the DC Comics imprint Vertigo, there was a short-lived but rather intriguing title House of Secrets that ran from 1996 through 1998. While it shared the same title as that of the long-running Silver Age anthology comic, it really was its own entity.

The first five issue of the Vertigo series was collected in a trade paperback in 1997, which is the format I bought in 2000 after reading about it in an issue of Wizard Magazine. I miss Wizard Magazine. Anyway, the story follows disaffected Gen X Grunge trope Rain Harper as she arrives in Seattle (of course) and eventually holes up in a derelict house with another street waif, a house that has the tendency to transform into a haunted mansion presided by the ghostly, otherworldly Juris, which is like a supernatural courtroom for souls who are harboring secrets.

This being a Vertigo series, obviously this isn’t for the squeamish. This is really more dark, psychological horror than visceral body horror, which goes more for a slow cold crawl into the psyche. Think Turn of the Screw for the Nirvana crowd.