Movie Review: EXTRAORDINARY TALES

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extraordinary tales
Gkids
2013
NR

“I don’t want my work to be lost forever. My work is eternal. I want that eternity. I want to be sure my words will survive me, that they will never be lost in time.”

  • Five of Edgar Allan Poe’s best-known stories are brought to vivid lifeĀ in this visually stunning, heart-pounding animated anthology featuring some of the most beloved figures in horror film history.

Edgar Allan Poe. Any aspiring fan of the dark and morbid tales of yore know the name. I’m pretty certain that a collection of his short stories and poems are issued to you the moment you show any interest in the Goth subculture. I know I was. I remember the first time I encountered the stories of E. A. Poe: it was 7th grade Lit.*, and my teacher Mr. Wilberding describing the story of “The Tell-Tale Heart”. Of course, these stories are golden oldies trotted out every Halloween season; I, however, think that–like Halloween itself–these should be celebrated and read year-round.

Which brings us to the anthology movie Extraordinary Tales. This is a movie that takes five well-known Edgar Allan Poe** stories and animates them, each of them with a different animation style, and narrated by a different actor who has ties to the horror community as well. As a long-time horror enthusiast, I felt obligated to give this thing a watch.

There’s a wrap-around story involving a raven (of course) that supposedly represents the spirit of Edgar Allan Poe, having a bit of an existential discussion with a graveyard statue, worrying about whether his stories will live on long after he’s dead and gone. We then begin with “The Fall Of The House Of Usher”, which is narrated by the late, great Christopher Lee. The animation is flat, with CGI that looks like the finest a Playstation One game can provide. It’s not bad, just “eh”. The second story is “The Tell-Tale Heart”, which is narrated by none other than Bela Lugosi. How did this happen, you may ask? After all, as the song goes, Bela Lugosi’s dead. He’s dead, he’s dead, he’s dead. A long time ago, I might add. Well, this sounds like an old recording he did reading the story, and the old lo-fi scratchy sound of the recording actually enhances the animation style employed on this one. “The Facts In The Case Of M. Valdemar” is a nice creepy and ghoulish tale that is narrated by Julian Sands, who was in the movies Warlock and Arachnophobia. This one’s animated style recalls the classic pulp comics, with the main character animated to look like Vincent Price. Neat. “The Pit And The Pendulum” is narrated by Guillermo del Toro, and if I have to explain who he is, you’re reading the wrong blog. The animation style is standard CGI, and to be forthright, this isn’t my favorite short story of his to begin with. I realize Edgar Allan Poe took liberties with historical accuracy with this story (who doesn’t, really), but the situations still make no sense to me no matter how many times I read this. The visuals here didn’t help things. And finally, we end with perhaps my favorite of all of Edgar Allan Poe stories, “The masque Of The Red Death”. Here, there’s no narration, but does feature the voice work of one Roger Corman as Prince Prospero, in the tale of the rich and prosperous locked inside a castle and partying while a nasty plague ravages the country. Given that I happen to be writing this at the height of the Coronavirus pandemic and all the panic that comes with it, this has the added bonus of being a bit close to home.

As adaptations go, they’re pretty standard. I should point out that the stories themselves were truncated, so you don’t really get the full stories. And neither do the adaptations have enough time to let the stories breath, like with Roger Corman’s famous adaptations from the 1960s. But, Extraordinary Tales works as a good perfunctory introduction to the works of one of the more legendary American authors of the Romantic Gothic period. And anything that works as a gateway drug to becoming a reading junkie gets my enthusiastic support.

[*kids, back then, that was short for “Liturature”, and not “exciting”, or “excellent”, although for nerds like myself, you might say Lit. class was actually “lit”]

[**you can’t just say “Poe”; you need to say his full name for full effect]

Movie Review: Edgar Allan Poe’s The LIGHTHOUSE KEEPER

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eap the lighthouse keeperThunderhead Entertainment
2017
NR

A young man awakens alone on a remote beach, marooned there by a violent storm. Above the rocky crags, a lighthouse stands like a sentinel. The man seeks the help of Walsh, the enigmatic lighthouse keeper. Walsh insists they are the sole inhabitants of the peninsula. But the man is haunted by fleeting glimpses of a beautiful young woman, and plagued by visions of hideous phantoms reaching out from the depths. As this horror tale races toward a mind bending finale, the man must confront the grotesque denizens of the night, or heed the lighthouse keeper’s cryptic warning to “Always keep a light burning.”

In the pantheon of Edgar Allan Poe stories, The Light-House is a rather controversial one, mainly because it’s been disputed as a genuine Edgar Allan Poe story. It being an unfinished fragment (two pages) that was written in the final months of his life, “The Light-House” has the same themes that Poe was famous for, but it’s been pointed out that the writing style wasn’t consistent with his previous work.

So, logically, this was used as the basis for a full-length feature movie. It happens all the time, really. The question remains, though: Can it be pulled off?

Kind of. Sorta.

The movie starts off with a young man washing up on the shore of an island after a storm, unable to remember his name or where he came from. After seeing a lady run off into a nearby cave, he gets knocked out from a fall and wakes up in the bed of the lighthouse on top of the cliff on the beach. This remote lighthouse is curated by a cantankerous old salty man who’se none too happy to have surprise visitors, and tell the young man that the only ferry off of the island arrives in two weeks. While he waits, the young man helps out with the general upkeep and maintenance of the lighthouse, as he also puzzles out the mysterious past of the old man. Soon, though, he runs into the lady he first saw on the beach (despite the old man claims to him being the only one dwelling on the rock) and soon they hit up a bit of a romance. The young man is smitten, and vows to take this lovely young lady with him when the ferry comes. But then zombie ghosts of dead sailors start appearing at night coming after them, and before you can say “overACTING!”, the dark secret past of the old man is reveled, along with his ties to the young man, with the zombie ghosts overtaking the lighthouse and the young man managing to escape in a rowboat, only to be caught up in a twist ending. The end.

On the one hand, The Lighthouse Keeper works on a certain level as a slow-burning, Gothic style tale, full of atmosphere textured with heavy dollops of dread and madness-inducing claustrophobia. Think of it as an ultra-low budget The Others-style ghost story.

And unfortunately, it’s that lack of a budget that works against it where it counts. It’s shot on video, which gives it a PBS show quality, and features effects right out of the Spirit Of Halloween stock. It’s not for lack of trying, but the zombie masks do take me out of the movie, there. The acting is…wooden. I don’t know if it was chosen deliberately for that Victorian overacting style for the period, or if they were just local theater production actors who’ve never acted in a movie before.

Overall, Edgar Allan Poe’s The Lighthouse Keeper isn’t really all that bad. If you can get past the cheep effects and the acting, the movie is a pretty good ghost story with a decent twist at the end. It’s worth a rental for a look-see.