Movie Review: Edgar Allan Poe’s The LIGHTHOUSE KEEPER

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eap the lighthouse keeperThunderhead Entertainment

A young man awakens alone on a remote beach, marooned there by a violent storm. Above the rocky crags, a lighthouse stands like a sentinel. The man seeks the help of Walsh, the enigmatic lighthouse keeper. Walsh insists they are the sole inhabitants of the peninsula. But the man is haunted by fleeting glimpses of a beautiful young woman, and plagued by visions of hideous phantoms reaching out from the depths. As this horror tale races toward a mind bending finale, the man must confront the grotesque denizens of the night, or heed the lighthouse keeper’s cryptic warning to “Always keep a light burning.”

In the pantheon of Edgar Allan Poe stories, The Light-House is a rather controversial one, mainly because it’s been disputed as a genuine Edgar Allan Poe story. It being an unfinished fragment (two pages) that was written in the final months of his life, “The Light-House” has the same themes that Poe was famous for, but it’s been pointed out that the writing style wasn’t consistent with his previous work.

So, logically, this was used as the basis for a full-length feature movie. It happens all the time, really. The question remains, though: Can it be pulled off?

Kind of. Sorta.

The movie starts off with a young man washing up on the shore of an island after a storm, unable to remember his name or where he came from. After seeing a lady run off into a nearby cave, he gets knocked out from a fall and wakes up in the bed of the lighthouse on top of the cliff on the beach. This remote lighthouse is curated by a cantankerous old salty man who’se none too happy to have surprise visitors, and tell the young man that the only ferry off of the island arrives in two weeks. While he waits, the young man helps out with the general upkeep and maintenance of the lighthouse, as he also puzzles out the mysterious past of the old man. Soon, though, he runs into the lady he first saw on the beach (despite the old man claims to him being the only one dwelling on the rock) and soon they hit up a bit of a romance. The young man is smitten, and vows to take this lovely young lady with him when the ferry comes. But then zombie ghosts of dead sailors start appearing at night coming after them, and before you can say “overACTING!”, the dark secret past of the old man is reveled, along with his ties to the young man, with the zombie ghosts overtaking the lighthouse and the young man managing to escape in a rowboat, only to be caught up in a twist ending. The end.

On the one hand, The Lighthouse Keeper works on a certain level as a slow-burning, Gothic style tale, full of atmosphere textured with heavy dollops of dread and madness-inducing claustrophobia. Think of it as an ultra-low budget The Others-style ghost story.

And unfortunately, it’s that lack of a budget that works against it where it counts. It’s shot on video, which gives it a PBS show quality, and features effects right out of the Spirit Of Halloween stock. It’s not for lack of trying, but the zombie masks do take me out of the movie, there. The acting is…wooden. I don’t know if it was chosen deliberately for that Victorian overacting style for the period, or if they were just local theater production actors who’ve never acted in a movie before.

Overall, Edgar Allan Poe’s The Lighthouse Keeper isn’t really all that bad. If you can get past the cheep effects and the acting, the movie is a pretty good ghost story with a decent twist at the end. It’s worth a rental for a look-see.


Book Review: HELL HOUSE

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Book Review HELL HOUSERichard Matheson

For over twenty years, Belasco House has stood empty. Regarded as the Mount Everest of haunted houses, it is a venerable mansion whose shadowed walls have witnessed scenes of almost unimaginable horror and depravity. Two previous expeditions to investigate its secrets met with disaster, the participants destroyed by murder, suicide, or insanity. Now a new investigation has been mounted, bringing four strangers to the forbidding mansion, determined to probe Belasco House for the ultimate secrets of life and death. Each has his or her own reason for daring the unknown torments and temptations of the mansion, but can any soul survive what lurks within the most haunted house on Earth?

One of the books that seems to be on everybody’s list of Top (ENTER NUMBER HERE) List of Horror Novels, not only from regular horror literary geeks, but from some of the bigger names in horror fiction. Notably, I read Stephen King refer to it as “one of the most brain-freezingly frightening haunted house novels of the 20th Century…”. That carries a bit of weight for me, as far as recommendations on what to snuggle up with on a dark and chilly night, to tantalize my imagination. Which also had the adverse effect of being a bit daunting to actually pick up and read. Not because it would be “too scary”, but like every other thing I’m hesitant to read, what if it turns out to be not as good as my brain hyped it up to be?

Fortunately, that didn’t stop me from picking up a copy of Hell House and reading it. My copy, with the cover art itself in the upper part of this review, is one of the many reprints that have been made of this, in case you’re some how curious about things like what was on the cover printing. I wouldn’t know why, but I’m sure there are people like that out there. Anyway…

As far as haunted house stories go, I have to admit that I agree that Hell House is one of the better ones written. If you’re familiar with Richard Matheson’s style of writing, then you know that he doesn’t necessarily write straight horror stories. He has said as much himself. They are horror, yes, but there’s also a heavy dose of science fiction that ties it down a bit more to earth rather than the supernatural. That isn’t to say there wasn’t a lot to cause my skin to crawl and want to turn on more than just one lamp while reading this, mind you. Such is Matheson’s style.

The story of Hell House involves a very old, very rich man hiring four people in different specified areas of research to investigate an old mansion that is rumored to be the site of many depraved orgies and debaucheries and death, and is now considered one of the most famous of haunted houses in the world. The old man wants to find out, once and for all, whether the nicknamed Hell House really is haunted, and if so by what, or if there’s actually a rational scientific reason behind the failed investigations done decades prior. To this end, he has hired a scientist and his wife to assist, a spiritualist, and a survivor of a previous investigation into the house that ended in a deadly disaster, who is tormented by his psychic abilities. Together they will stay inside the house for several days, attempting to determine if there really is something sinister behind the building’s facade, or if it’s something else with foundationally speaking. See what I did, there? I made architectural jokes. Yeah, whatever. Anyway, things start going wacky pretty much on the first day they arrive at the house, and everyone struggles to keep from going mad while sorting out the mystery behind the house itself. Or, you know, try not to die doing so.

This being written in the very early 1970s, there’s a bit more of, shall we say, an adult orientation to the story. And by that, I mean there’s a rather violent scene featuring necrophilia at one point, as well as some squeamish descriptions of possession and poltergeist manifestations going on. Add in some rather effective dark Gothic imagery with the house, and you really do have a spine-chilling supernaturally-tinged Gothic ghost story mystery that doesn’t end on a very up note.

I understand that there’s a movie adaptation made of this. I haven’t seen the movie, or even sought it out. But, I am glad I got around to reading Hell House, and seeing why everyone seems to hold it in high esteem. Recommended reading, my fellow horror hounds.

Uncle NecRo’s TOP 100 CHRISTIAN ALBUMS FROM THE 1990s, Part 3: 60-41

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Part Three of this list of Top 100 Christian Albums Released In The 90s. Continuing on, then:

deliverance-river-disturbance60 – River Disturbance (Deliverance)
…in an interview with Deliverance main man Jimmy P. Brown on a podcast, he mentioned that, after he recorded this particular album, producer/artist extraordinaire Terry Taylor told him he just recorded his Rubber Soul. Sure, why not.

saviour-machine-saviour-machine-ii59 – Saviour Machine II (Saviour Machine)
…basically a continuation of the first album, only more orchestral and grander in scope. Eric Clayton sounding as pretentious as ever.

bride-scarecrow-messiah58 – Scarecrow Messiah (Bride)
…I remember this being some great hard rock. Others remember this as the album where Dale Thompson cut his hair. Good grief, people.

disciple-this-might-sting-a-little57 – This Might Sting A Little (Disciple)
…before they transformed into another modern rock band indistinguishable from the others, Disciple played hard and heavy southern fried rock and metal, and this one here was the best of the bunch.

dead-artist-syndrome-prints-of-darkness56 – Prints Of Darkness (Dead Artist Syndrome)
…my favorite of all the DAS releases, as it’s also the darkest one going. Helped me through some really dark times. On my Existential Meltdown playlist.

detritus-if-but-for-one55 – If But For One (Detritus)
…second and last release by the U. K. heavy metal group. Even in the early 1990s, you had to import the good stuff.

mortification-1995-primitive-rhythm-machine54 – Primitive Rythm Machine (Mortification)
…essentially “Steve Rowe & Friends”, this one was tuned to a brighter Standard E, but still retained the heavy.

saviour-machine-saviour-machine53 – Saviour Machine (Saviour Machine)
…not the first Gothic rock album in the Christian market, but definitely the first time I was amused by the CCM industry lose their collective do-do over this oddball group. The album is pretty good, too.

ethereal-scourge-judgement-and-restoration52 – Judgment & Restoration (Ethereal Scourge)
…this could very well be the first death metal praise & worship album I’ve come across. Pity there was only this one full-length release.

deliverance-camelot-in-smithereens51 – Camelot-In-Smithereens (Deliverance)
…bit more metal than the previous release, a lot more somber, and the last Deliverance album we got until the new Millennium.

minier50 – Minier (Greg Minier)
…great crossover thrash from the guitarist for The Crucified.

detritus-perpetual-defiance49 – Perpetual Defiance (Detritus)
…a woefully underrated thrashy metal album from the U. K. Also, the production doesn’t do this justice.

circle-of-dust-circle-of-dust48 – Circle Of Dust (Circle Of Dust)
…the first release by the second industrial band I discovered. This was remixed and re-released in 1995. Either way, it was groundbreaking for its time.

mortification-1994-blood-world47 – Blood World (Mortification)
…even when toning down the death metal influence and adopting more of a groove and less growled vocals, this was still heavier than anything else that was being released then.

strongarm-atonement46 – Atonement (Strongarm)
…really good hardcore album.

zao-where-blood-and-fire-bring-rest45 – Where Blood And Fire Bring Rest (Zao)
…at a time when actual good metal was sparse, we had to make due with the metalcore that was beginning to come out. This was one of the least painful.

deracination-times-of-atrocity44 – Times Of Atrocity (Deracination)
…why these guys didn’t get as big as fellow Aussies Mortification is beyond me. The “Atrocity” referenced in the title has to be the really low production, otherwise this would have been a rafters-shaking classic death metal release.

metanoia-in-darkness-or-in-light43 – In Darkness Or In Light (Metanoia)
…some some really good death metal from the Land of Down Under that isn’t named Mortification.

zao-liberate-te-ex-inferis42 – Liberate Te Ex Inferis (Zao)
…one of the more tolerable of the early metalcore releases in my collection. Also, Event Horizon reference.

strongarm-the-advent-of-a-miracle41 – Advent Of A Miracle (Strongarm)
…pretty decent hardcore album. Again, it’s what we had to subside on until the bookstores and record shops started carrying metal again.


Uncle NecRo’s TOP 100 CHRISTIAN ALBUMS FROM THE 90s, Part 2 (80-61)

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Hey everybody, I’m back now with Part 2 of the Top 100 Christian Albums from the 1990s. If you missed it, Part 1 is right here. Now, without further adeu, here are picks numbers 80 through 61:

chagall-guevara80 – Chagall Guevara (Chagall Guevara)
…that one time that Steve Taylor fronted an actual band that was pretty good, but nobody noticed because it was 1991 and they weren’t from Seattle. Bummer, that.

77s-pray-naked79 – Pray Naked (The 77s)
…as alternative music goes, this one’s pretty good, but let’s face it: any band that can make the American Evangelical communities flip their collective lids over a title that encourages the listener to come before God with no pretensions, transparent and vulnerable has a place in my collection, regardless of the genre.

aunt-bettys-aunt-bettys78 – Aunt Bettys (Aunt Bettys)
…speaking of artists that consistently manages to piss off the American Christian subculture without even trying to do so, I present you Michael Knott’s woefully underrated side project, Aunt Bettys. ‘Nuff said.

scaterd-few-sin-disease77 – Sin Disease (Scaterd-Few)
…sorry to say that I was a bit late in the game in appreciating this particular album. It’s a classic, yes, and one of those albums that was controversial for many reasons, but mostly because they weren’t safe like certain other so-called “Christian punk” bands at the time. Incidentally, “Kill The Sarx” is where I got the inspiration for my online persona, The NecRoSarX. Now you know.

holy-soldier-last-train76 – Last Train (Holy Soldier)
…a bit more bluesy, quite a bit more mature than the first released. Kind of like Cinderella’s second release after Night Songs. You get the idea. I hope.

fear-not-fear-not75 – Fear Not (Fear Not)
…what is essentially the former Blonde Vinyl band Love Life, given the ol’ Elefante slick production makeover. Big, bombastic 80s hair rock, and a guilty pleasure indeed.

scaterd-few-jawboneofanass74 – Jawbonofanass (Scaterd-Few)
…this may seem like blasphemy, but I actually prefer Jawboneofanass over Sin Disease. I don’t know why, other than it flows a bit better, maybe? Is that pretentious-sounding enough?

deitiphobia-clean73 – Clean (Deitiphobia)
…contrary to popular belief, there was an underground contingent of Christians producing industrial back in the 1980s, but they mostly didn’t get noticed until around the time Trent Reznor showed up. Or something like that. Anyway, this is a good album.

dead-artist-syndrome-devils-angels-saints72 – Devils, Angels & Saints (Dead Artist Syndrome)
…”gothic rock”, “post-punk”, “gloom rock”, whatever, sometimes you gotta throw this one on with the lights off and stare at the wall.

bride-drop71 – Drop (Bride)
…stylistically different than the previous two heavier releases, more of a throwback to the Kinetic Faith release yet more mature than that one.

dig-hay-zoose-magentamantalovetree70 – MagentaMantaLoveTree (Dig Hay Zoose)
…released back when the word “Alternative” was thrown around like a brand name, this release saw Dig Hay Zoose as the spiritual successors to scaterd-few. Too bad it was to be their final studio release.

deitiphobia-lo-fi-vs-sci-fi69 – Lo:Fi Vs. Sci:Fi (Deitiphobia)
…a electronic industrial sci-fi concept album. Enough said.

lsu-this-is-the-healing68 – This Is The Healing (L. S. U.)
…dark, introspective, with an underlying twisted sense of humor. Probably one of the first instances of discovering it was okay not to be a shiny-happy Christian.

dead-artist-syndrome-happy-hour67 – Happy Hour (Dead Artist Syndrome)
…this was sold in Christian bookstores. It started with a song called “Young Sexy & Dead” (sure, it was listed as “Y.S.D” on the CD, but still), and has another song referencing the Church body as a psychotic knife-wielding back-stabber. That’s called “irony”, folks. Delicious irony.

bride-kinetic-faith66 – Kinetic Faith (Bride)
…hard rock with a southern twinge, and a total 180 from the hair metal they played previously.

zao-the-splinter-shards-the-birth-of-separation65 – The Splinter Shards The Birth Of Separation (Zao)
…at the time of this release, good quality metal was hard to come by, especially in the so-called Christian market. This had to due until some came around.

crashdog-cashists-facists-other-fungus64 – Cashists, Fascists, & Other Fungus (Crashdog)
…one of my favorite punk albums, it has all the hallmarks: raw, crusty, and probably the first instance of outspoken Christians protesting the G. O. P.

12th-tribe-livin-in-babylon63 – Livin’ In Babylon (12th Tribe)
…Run DMC style rapping paired with some metal riffs provided by Jimmy P. Brown of Deliverance? Yes, please.

index62 – Blood (Red Sea)
…a collaboration between the guitarist from Fear Not and the vocalist from Die Happy, and it’s a monster of a bluesy metal rock album.

wedding-party-anthms61 – Anthems (Wedding Party)
…basically Saviour Machine with all the beautiful richness without all the unnecessary pretentiousness. And a better singer.

HALLOWEEN’ING 2016: Day 12 – Gothic (Nox Arcana)

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Halloween Soundtracks:

GOTHIC (Nox Arcana)

If you’ve never heard of Nox Arcana…don’t feel too bad. I hadn’t been tipped off about this two-man project until just last year, when I noted that the similarly styled group Midnight Syndicate had released a Christmas album on my Facebook page, and someone mentioned that I might want to check out Nox Arcana as well. So I did, and my gosh, WHERE WAS I WHEN THEY WERE RELEASING ALL THESE WONDROUS ALBUMS?

Nox Arcana plays a style of music that is a mix of neo-classical, ambient, rock and New Age wrapped up in a dark Gothic tapestry that relies on setting a mood rather than producing danceable pop hits.

Gothic was chosen here because it was the first album of theirs that I purchased on Amazon. And boy howdy, is this some good, moody ambient classical music. It’s perfect to play in the background, set to some candles, sitting in a Victorian-era high backed chair, taking in the shadows as they dance across the walls. What I’m trying to say is, this is high-quality background music you can listen to not just on Halloween, for enhancing the ambiance of your setting.



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praise him in the graveSorry about the lack of NECRO SHOCK RADIO sessions. There’s been things happening that have commanded my attention. So, I decided, while things are getting sorted out and I can get back to free time to get back to more Brutal Music Therapy, to slap together a collection of songs from my Praise Him From The Grave playlist, and share them with you. This was unplanned, and there’s no script and no editing this time; it’s totally off-the-cuff and from the guts. Completely raw. Listen and enjoy…



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Oxford University Press

“The ghosts of fiction were not killed off by the advent of the electric light, the invention of the telephone, the coming of the motor car, or even by the once unthinkable horrors of technological warfare. Instead they took over the trappings, landscapes, and cultural assumptions of the twentieth century for their ancient purposes.” Thus Michael Cox introduces The Oxford Book of Twentieth-Century Ghost Stories, a unique collection of 33 of the best and most chilling ghost stories of our era. The first anthology to trace the evolution of the ghost story over the last one hundred years, this book demonstrates the variety and versatility of the genre and the different ways in which stories of the supernatural have adapted to twentieth-century venues and concerns. In these tales we encounter not only the returning dead, but also distinctly modern phantoms: a haunted typewriter, a ghost that travels by train, and an urban specter made of smoke and soot. There are child ghosts and haunted houses, playful spooks and deadly apparitions. The authors of these uncanny tales are as diverse as the kinds of stories they tell; there are ghost stories by such specialists as M.R. James and Algernon Blackwood and many by authors not commonly associated with the genre: F. Scott Fitzgerald, Edith Wharton, Graham Greene, A.S. Byatt, and Angela Carter are only a few of the literary celebrities included in this collection. At a time when our era seems to grow increasingly rational and predictable, The Oxford Book of Twentieth Century Ghost Stories reminds us of the joys of uncertainty and wonder. Distinctive and gripping, these stories will linger long in the memory.

I came across this copy of The Oxford Book of Twentieth Century Ghost Stories at one of the local libraries in Omaha, back in 1999. This was back when I was actively embracing the Gothic subculture, and was searching for adequate literature to help develop my burgeoning pretentiousness. Also, I wanted something beyond just the usual staple of Anne Rice and…well, strictly vampire fiction in general. So, I picked up this collection, because it had the pedigree of being an official Oxford collection, and also ghost stories. I loves me some ghost stories. Ever since I was but a grade schooler, and found myself listening to them being told by a bonfire at a friend’s sleepover one October night. But, I digress.

Of the authors that populate this collection, the ones that I recognized right off the bat whilst scanning the Contents section were M. R. James, F. Scott Fitzgerald, Algernon Blackwood, Graham Greene, and Robert Bloch. Of those five that I recognized, there were two that surprised me by being included, being Fitzgerald and Greene. But, hey, I guess that everyone has a ghost story or two in them. Otherwise, James, Blackwood and Bloch (which, when said that way, sounds like a law firm of some sort) are mainstays in the genre of supernatural fiction, and some of my favorites.

As far as how the other authors featured in this collection go, well…let’s go through them a bit, shall we?

“In The Dark” (E. Nesbit)
A young man suspects that his college chum might be losing his marbles after allegedly murdering a rather annoying schoolmate over holiday…

“Rooum” (Oliver Onions)
A railroad labor worker seems a bit extra jumpy, and fears some seemingly non-existent whispers and echoes…also, he seems a bit preoccupied with molecules and osmosis…

“The Shadowy Third” (Ellen Glasgow)
A nurse discovers she can see the ghost of the daughter of the sick lady she’s taking care of, and the reason behind all this might have something to do with the patient’s doctor husband…

“The Diary Of Mr. Poynter” (M. R. James)
An antique book collector finds an interesting pattern bit inside an old diary and uses that for the pattern of new curtains…turns out to be a bad idea, that…

“Mrs Porter and Miss Allen” (Hugh Walpole)
A recently widowed woman seems rather anxious about something…or someone…much to her young companion’s consternation…

“The Nature of the Evidence” (May Sinclair)
A widower decides to remarry, but his dead wife doesn’t approve of his choice…

“Night-Fears” (L. P. Hartley)
A long-time night watchman encounters a mysterious stranger who strikes up a conversation about the watchman’s profession…it doesn’t end well…

“Bewitched” (Edith Wharton)
A reclusive farmer has been visiting his old (and very dead) flame, and his wife is a bit perturbed about it…

“A Short Trip Home” (F. Scott Fitzgerald)
A young man’s childhood friend (and major crush) comes back from college with a bit of a sinister hanger-on…

“Blind Man’s Bluff” (H. Russell Wakefield)
A night shift security guard isn’t going home tonight…or any other night, it seems…

“The Blackmailers” (Algernon Blackwood)
An insurance agent finds himself being blackmailed by someone who…well, just doesn’t seem all that enthusiastic about it…

“Yesterday Street” (Thomas Burke)
In a bit of a nostalgic mood, a man decides to visit the street in which he grew up, and finds himself engaged in a game of marbles with his childhood pals…

“Smoke Ghost” (Fritz Leiber Jun.)
An office manager has visions of a ghostly thing forming out of the smoke and soot of the industrialized city he dwells in…

“The Cheery Soul” (Elizabeth Bowen)
Having been invited to a large estate for Christmas, a young lady finds the sole inhabitant a bit off-putting…as well as those cryptic messages found in the kitchen…

“All But Empty” (Graham Greene)
A regular patron of a silent movie theater has an encounter with a rather peculiar attendee…

“Three Miles Up” (Elizabeth Jane Howard)
Two gents are taking a holiday on a boat, and happen upon a young lady who joins in their expedition…and then they get a bit lost…

“Close Behind Him” (John Wyndham)
After a robbery gone bad, a thief is pursued back to his home by the ghost of the guy he robbed…

“The Quincunx” (Walter de al Mare)
The nephew of a stingy (and recently declared living impaired) aunt inherits her house…and unwittingly becomes the new abode for her restless spirit…

“The Tower” (Marghanita Laski)
A lady goes sight-seeing alone at an ancient Italian tower, climbing steps in the dark…

“Poor Girl” (Elizabeth Taylor)
A governess has as a charge a young lad with a very old soul…

“I Kiss Your Shadow—” (Robert Bloch)
Shortly after an accident killed his fiance, the survivor soon learns that true love never really dies…like it or not…

“A Woman Seldom Found” (William Sansom)
A lonely man visiting Rome happens across an equally lonely woman while walking at night…wasn’t expecting that ending, there…

“The Portobello Road” (Muriel Spark)
A writer regales us with the details of her life, leading up to her murder five years prior…

“Ringing the Changes” (Robert Aickman)
A newly married couple arrive at their honeymoon destination, and learn the hard way to not go someplace on the off-season…

“On Terms” (Christine Brooke-Rose)
As far as I can tell, a ghost is having a fever dream-like breakdown in the process of his essence breaking down into nothing…surreal and seemingly constructed from run-on sentences and stream-of-consciousness…

“The Only Story” (William Trevor)
A man writes down the only story he’ll ever write, about the final moments of his life…

“The Loves of Lady Purple” (Angela Carter)
The centerpiece of an old man’s traveling marionette show has a sordid back-story…and a bit of a Pinocchio complex…

“Revenant as Typewriter” (Penelope Lively)
A college professor discovers to her annoyance that she’s not acting like herself…

“The Little Dirty Girl” (Joanna Russ)
A middle-aged woman inadvertently befriends a waifish 8-year-old girl, and discovers the power of existential projection…booga booga booga…

“Watching Me, Watching You” (Fay Weldon)
A ghost watches idly the passing of time between a divorced couple…also, the story’s title automatically makes the chorus of “Sweet Caroline” start playing in my head…

“The July Ghost” (A. S. Byatt)
A summer tenement befriends a young boy in the garden, a boy who’s quiet, not unpleasant, and also the spitting image of the flat owner’s dead son…

“The Highboy” (Alison Lurie)
Antique chest of drawers…not as innocent and unassuming as one would think they are…

“The Meeting House” (Jane Gardam)
A bunch of old-timey Quakers meet their new homeless neighbors, and wackiness ensues…

Overall, I found the entire collection to be a good selection. They didn’t all go for the same formula, as many tend to do. I think that, like with other collections I’ve read, the majority of authors I didn’t recognize helped to give me an idea of what kind of talent lies out there for me to check out some time in the future. So many stories, so little time. Otherwise, this was a good sampling of the kind of ghost stories that could be found within the various decade of the 20th Century, from a time when “fantastic fiction” was regulated to pulp publications, to when the style was beginning to gain some bit of legitimacy in literary circles. Also, they fire up the imagination, which is really the measure of a good ghost story. Definitely worth checking out.

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