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cthulhu's reignDarrell Schweitzer (Editor)
Daw Books, Inc.

  • Some of the darkest hints in all of H.P. Lovecraft’s Cthulhu Mythos relate to what will happen after the Old Ones return and take over the earth. In “The Dunwich Horror,” the semi-human half-breed Wilbur Whateley speaks in his diary of travelling to nonhuman cities at the Earth’s magnetic poles “when the Earth is cleared off,” and hints at his own promised “transfiguration.” Very few Mythos stories have ever touched on this. What happens when the Stars Are Right, the sunken city of R’lyeh rises from beneath the waves, and Cthulhu is unleashed upon the world for the last time? What happens when the other Old Ones, long since banished from our universe, break through and descent from the stars? What would the reign of Cthulhu be like, on a totally transformed planet where mankind is no longer the master? It won’t be simply the end of everything. It will be a time of new horrors and of utter strangeness. It will be a time when humans with a “taint” of unearthly blood in their ancestry may come into their own. It will be a time foreseen only by authors with the kind of finely honed imaginative visions as those included in Cthulhu’s Reign.

When it comes to H. P. Lovecraft, one of the more admiral traits of the man–once you get past his laughable form of racism that could have only existed in the late 19th and early 20th Centuries–was that he was more than willing to let others play in his literary sandbox. And why not; his Cthulhu Cycle of stories and the vast mythos that erupted from that is fertile ground for both science fiction and horror. Numerous collections and novels have resulted from this; and this is my rather awkward way of leading into this look into this particular short story collection, titled Cthulhu’s Reign.

This collection does have a theme running through it: Stories that tell of humanity’s life on Earth after the stars re-align, and Cthulhu finally awakens and summons forth his horrible minions and transforms the world in his nightmarish image. Rather intriguing concept, I would say. Really, the book had me at “Cthulhu” when I spied it on the shelves at the local Half Price Books, but a concept is a concept. Let’s look at what we have, shall we?

“The Walker in the Cemetery” (Ian Watson)
A handful of tourists are trapped inside Italy’s famous monumental cemetery of Staglieno when the return of Cthulhu happens, and one by one they seem to be played with and picked off by some unseen entity…

“Sanctuary” (Don Webb)
A young man travels to a nearby abandoned Texas town to find and pick up a special Bible that isn’t really a Bible, in an attempt to keep him and his daughter safe from succumbing to the madness of the new gods that have taken over…it doesn’t end well, let’s just say…

“Her Acres of Pastoral Playground” (Mike Alien)
It’s a normal morning on the farm, where a man has built his own kind of safe haven against the horror of the Star Spawn’s invasion, when he begins to realize that maybe his defenses aren’t all that effective…

“Spherical Trigonometry” (Ken Asamatsu)
A billionaire industrialist commissions a special fortress to be built, one that features no angles whatsoever for the Old Ones to invade his space, only to realize too late that humanity is the oldest form of angles there are in the world…

“What Brings the Void” (Will Murray)
A glimpse into the reality of a couple of survivors of the invasion and mutation of humanity, as things get desperate, and one of them happens to be about to give birth to something not exactly human…it doesn’t end well…

“The New Pauline Corpus” (Matt Cardin)
Less a short story and more of a fiction discourse discussing the fall of Judeo-Christian ethics in the wake of the return of the Old Ones…

“Ghost Dancing” (Darrell Schweitzer)
A guy infiltrates a ceremonial human sacrifice to the Star Spawn to free the sacrifice…it doesn’t end well…

“This is How the World Ends” (John R. Fultz)
A glimpse into the reality of a couple of survivors of the invasion and mutation of humanity, as things get desperate, and one of them happens to be about to give birth to something not exactly human…it doesn’t end well…

“The Shallows” (John Langan)
A man tells the tale of his life before the coming of the Old Ones to a crab that helps him tend to his garden…I have to take a moment to let sink in what I just wrote…

“Such Bright and Risen Madness in Our Names” (Jay Lake)
A bunch of mutated humans gather together underground to plan their next desperate upheaval against Cthulhu’s reign on earth…, kinda bleak and nihilistic, there…

“The Seals of New R’lyeh” (Gregory Frost)
A couple of petty thieves that survived the Cthulhu Apocalypse steal some seals that purportedly are supposed to bring back all of the Old Ones from beyond their dimensional plane. and one of the thieves just happens to have the correct translation of the Necronomicon to bring that about…

“The Holocaust of Ecstasy” (Brian Stableford)
A college professor–sorry, former college professor awakens to find he is merely now a head hanging from a tree where conscience human heads are its fruit, and the land seems to be a nightmarish landscape designed by the Star Spawn themselves…and then things get weird as said former professor ponders the existential ramifications of his new situation…

“Vastation” (Laird Barron)
A rather mind-blowing jaunt back and forth through the history of reality through the eyes of a sociopath immortal-ish quasi-deity…gads, my head hurts now…I couldn’t look away, I had to finish it or go mad…moreso…

“Nothing Personal” (Richard A. Lupoff)
A science exploratory space vessel accidentally sets off a massive antimatter explosion on a planet of Old Ones, and they retaliate by turning Earth into a black ball of antimatter goo…do I even need to state that this doesn’t end well?

“Remnants” (Fred Chappell)
The last three humans alive on Earth race to a rendezvous point where aliens who oppose the Old Gods are going to take them to a place of safety…this actually ends well, nicely done…

Overall, yeah, Cthulhu’s Reign was a pretty good collection to read through. Pretty consistent theme going, different takes on what would happen after the Old Ones finally take over the place, all keeping things at a pretty decent clip, and ending with a story that has a glimmer of hope at the end. Nothing mind-blowing but yeah, I would recommend picking this up if you happen across it.

Movie Review: The VOID

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the voidD Films

“Statistically, you’re more likely to die in a hospital than anywhere else.”

When police officer Carter discovers a blood soaked man limping down a deserted road, he rushes him to a local hospital with a bare-bones night shift staff. As cloaked, cult-like figures surround the building, the patients and staff inside start to turn ravenously insane. Trying to protect the survivors, Carter leads them into the depths of the hospital, where they discover a gateway to immense evil.

There seems to be a resurgence of independently made horror movies that takes their cue from the 1980s era, and I for one can’t be any more giddy about this. It’s no secret that it was the era that I consider the best in horror and science fiction; you can argue with me to the contrary until you’re blue in the face, I stand by my statement until my final death rattle.

Take The Void, for instance, coincidentally the subject of this review. This movie plays like a compilation of John Carpenter’s Greatest Hits, mixing up themes from Assault On Precinct 13, Prince Of Darkness, and In The Mouth Of Madness (admittedly, not from the 1980s–1994, to be precise–but it might as well have been, it’s that kind of awesome), and resulting in a very dark and claustrophobic supernatural horror that will mess with your head and then stick there long after the movie is over.

So, the story begins when a Deputy comes across a man late at night in the middle of a deserted road, looking quite the worse for wear. He takes him to the nearest hospital for help, which happens to be the one that’s in the process of being closed down due to a fire some time back, and as a result, has a skeleton crew there, one such staff member that happens to be the Deputy’s estranged wife. Soon, two vigilantes that were tracking the young man arrive, as does the Sheriff to help with the processing arrest, when the hospital is discovered to be surrounded by robe-clad figures. Discovering the hard way that they were not the Polyphonic Spree and in fact mean them harm, everyone finds themselves trapped together inside the barricaded hospital, forced to work with each other to try and escape and survive. Then reality starts bending around them; certain individuals go a bit on the insane side and attack the others, and while the Deputy and the two vigilantes try to find a way out through the basement, they discover that the building is warping reality as well, discovering hallways and rooms that don’t exist according to the blueprints. Turns out, the doctor in charge of the hospital has been messing with some Lovecraft-level dark sorcery in an effort to defy death since his daughter died. Mind-bendy horror ensues, with an ending that will make you go, “huh?” In a good way, I assure you.

Overall, The Void was a great horror flick that had a lot of substance to chew on, as well as tons of dark foreboding atmosphere and great practical effects. The acting was rather good, and the development of the characters was good as well, lending some weight to their plight. The reveal of the doctor as the main Big Bad was, admittedly, cliched and expected. However, the very Clive Barker style ending is very much worth it at the end. Well worth the watch.