Music Review: DANIEL BAND – Rise Up

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daniel band rise upDANIEL BAND
Rise Up
Refuge Records
1986

So far, the Daniel Band has been pretty consistent with the rocking of our faces off, giving us some pretty good solid releases with some fantastic riffs and cuts going on. It’s been a pleasant surprise going through their back catalog. How do they fare with their fourth album, Rise Up? Let’s find out.

The album starts off by immediately giving you whiplash with the hard and heavy “Bethel”, which is pretty metal, and is a great way to kick things off, methinks. Can they keep up the momentum, though? Well, the next cut after this is “Rise Up”, which is the second Daniel Band song that I heard on a compilation years before I began actively checking the band out. This is another radio-friendly rock cut, a bit more anthemic, decent riff and all. Still, I wasn’t impressed enough to listen to more at the time. And following the bombast of the opening song, this maybe takes the winds out of the sails a bit too soon. Not a bad song, mind, just maybe should have positioned it somewhere in the middle of the album, title track or no.

We get back on track with “Don’t Walk Away”, a nice heavy mid-paced cut that begs to be cranked up. “Paradise” is a melancholy sounding power ballad, and…yeah, I rather like this. It’s very much in keeping with the time of the release, with the kind of power balladeering the contemporary rock bands were doing on the radio. “Fight Back” made me think immediately of fellow Canadian rocker Aldo Nova, what with the keyboard riff on this cut. Not bad at all. “Call His Name” is another great hard rocking anthem, heavy and made me think of W.A.S.P., believe it or not, and the momentum is kept going with the appropriately titled “Rock You”, a thick n’ meaty hard rock anthem that, again, begs to be cranked in the car stereo whilst driving. After this, though, we get “My Children”, another power ballad that starts off in tricking you into thinking this is one of those sappy types that goes for the feels, but right when you’re beginning to reach for the barf bag, in comes the power chord, and things get marginally better. The final cut on the album, “Right Heart”, ends things with another mid-paced radio-friendly rock song. Given the fact that Daniel Band has demonstrated the ability to rock hard with some of the greats, this last song kind of give you a “meh” shrug.

So, overall, I would say that Rise Up is a good album, leaning towards very good. It’s got a very decent amount of hard rockers I’ve come to love from the band, along with a couple of radio friendly rockers and a couple of power ballads that, while they’re far better than a lot of general CCM balladeering that was being released at the time, are still ballads. If that’s your thing, great; I just tend to lead more toward the heavier stuff on the album. Very much worth checking out.

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HALLOWEEN’ING Day 27: Trick Or Treat (1986)

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halloween'ing 2017
TRICK OR TREAT
This is one of my favorite cheesy rocksploitation horror flicks from the 80s. This has it all: a B-List sitcom star (Marc Price, who played “Skippy” from Family Ties), a hard rockin’ metal soundtrack, over-the-top cartoonish occult wackiness, and cameos from Ozzy Osbourne and Gene Simmons. Marc Price plays Eddie, a metal-head High School misfit whose hero–infamous heavy metal star Sammi Curr–has just died in a hotel fire. Understandably distraught over this, he is gifted Curr’s unreleased album Songs In The Key Of Death by local DJ Nuke. Soon, Eddie discovers that the soul of Curr is trapped inside the record itself, and is giving Eddie instructions on staging his big comeback…from death!

Trick Or Treat is one of those tradition movies, where I try to watch it at least once during the Halloween season. It’s fun 80s horror cheese at its finest.

TRICK OR TREAT

::END TRANSMISSION::

Music Review: ADVOCATE – Exigency

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ADVOCATE - ExigencyADVOCATE
Exigency
Pentecost Records
1992

Advocate was a band from Denver, Colorado. They formed in 1990 and released a demo called Exigency in 1992, then apparently split up in 1995. And that is the extent of the information that I was able to glean from the internet about this particular group. Oh, and their style is listed as “thrash metal”, though I may have a bit to say about that. But, I’ve done reviews on less information before, so let’s get to this, shall we?

First, that cover art. I’ve seen worse, really. But, the album art for this release does rank up there as far as not being representative of the music itself. It’s no pink unicorn on a white backdrop, mind you, but still it has more of an “illustration for vacation bible school” vibe going on. But anyway, the music. Remember in the previous paragraph where I mentioned that Advocate was listed as “thrash”? I disagree. The music is really more heavy metal that leans towards thrash at times, much like Metal Church. There’s some really good riffs and solos going on here, as well as some good solid musicianship with the crafting of the songs, showing a kind of talent that keeps things from getting stale. The big issue I have with the music, though, are the vocals. They’re…passable. Kind of in need of more polish in several instances, and for whatever reason the vocals are way up in the mix, dominating the other instruments into a slightly muffled background position. That’s rather distracting.

Overall, Exigency is a six-song demo that has some rather good ideas going with the music, but it’s hampered by a sub-par vocal mix. Regardless, had they kept at it, they could have really had something going. I have no idea what caused them to break up, but this one evidence of their existence is still out there. Worth a bit of a look if you happen to run into it.

NECRO SHOCK RADIO – 2017 Easter Special

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2017 EASTER SPECIAL

Featuring Cuts From:

NECRO SHOCK RADIO – 4-8-2017

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APRIL 8, 2017

Not even having a massive head cold will stop Uncle NecRo from dispensing the Brutal Music Therapy!

Featuring cuts from:

Music Review: DEATH THERAPY – The Storm Before The Calm

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death therapy storm before calmDEATH THERAPY
The Storm Before The Calm
Solid State Records
2017

Death Therapy is the solo-ish project of former Becoming The Archetype bassist/vocalist Jason Wisdom. He started writing and recording under Death Therapy in 2015, and released an EP demo that can be found on Bandcamp, and then released this full-length album, The Storm Before The Calm, on Solid State Records earlier this year.

There, now that I have the preliminary stuff out of the way…

Holy expletive of your choice, this album is great. I had first heard of it being a thing due to Jason Wisdom’s interview about the project on the As The Story Grows podcast, where some previews of some of the songs were played. What I had heard blew me away, and I immediately wanted to know when the album was going to be released. It wasn’t until the end of February, but I had done a pre-order (something I rarely do), and when the day it was released came around, I immediately loaded it up into my media player, and had it blaring through the speakers. And believe me when I say, the wait was well worth it.

The best I can describe the music on The Storm Before The Calm is very aggressive industrial hybrid metal. Industrial because of the electronic hooks and sampling; hybrid because the only actual instruments used are a heavily effects distorted bass and a drum set for a thick and insane rhythm base. Mix in vocals that range from intense growl shouts to dark melodic singing, and the result is an incredibly infectious brand of dark and heavy goodness that is different and completely awesome. The diversity of the styles that come together on this, especially with the EBM side of things.

Look, about the only gripe I have with this release is that it ends far too soon, and I find myself wanting more than just what’s on there. Here’s hoping there’s more in the future. For now, do yourselves a favor and grab yourselves a copy of The Storm Before The Calm and enjoy immensely.

March 25, 2017

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NecRoSarX Chronicles Header

inside my headWhen it comes to the mental part of writing (which happens all the time; the physical writing part is maybe 10 percent of the process), one of the more effective ways of getting past writer’s block is to put some \,,/METAL\,,/ on and let my mind wander amidst the soundtrack drowning out the outside world. Sitting with big over-the-ears headphones, staring out to the distance is good, but the most effective use of this is driving around in the NEKRON-7, something cranking on the stereo, somehow the added busywork of driving combined with the music really brings out some fantastic brain droppings.

The trick is to translate what’s dancing around in my head onto the blank pages here in our dimension. And sometimes that translation process gets lost in the ether, resulting in something close to approximation of what I saw in my head, but not quite.

I am my own worst critic when it comes to my writing. I always have been, and always will be. Until the day I stop writing, I’ll keep trying. It’s the only way I can calm the voices, after all. That, and the \,,/METAL\,,/. Cheers.

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