Movie Review: The WATCHER

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the watcherUniversal

“Hello, I am Lutenant Hollis and welcome to my crime scene. Can I help you with anything, or are you just looking?”

FBI agent Joel Campbell, burnt-out and shell-shocked after years spent chasing serial killers, flees L.A. to begin a new life for himself in Chicago. But five months later, Joel’s best laid plans are abruptly cut short when hi new hometown becomes the setting for some particularly gruesome murders–murders that could only have been committed by one man: David Allen Griffin. One of Joel’s most elusive and cunning nemeses, Griffin has followed his former pursuer to Chicago in order to play a sadistic game of his intended victims and leaving his crime scenes meticulously free of clues in order to keep the police at bay. Griffin derives as much pleasure out of watching Joel react to every movement as watching his victims die. But when Griffin moves into Joel’s inner circle, Joel must quickly find some way to stop him before someone close to him becomes the next one to die.

And here we are, with the movie that Keanu Reeves would rather forget ever happened. And one that I would rather pretend I never watched in the first place. But I did. And review it I must.

Keeping in mind that Reeves had just come from making a little movie called The Matrix, his name was (and still is, really) a hot commodity when it came to big Hollywood movies. Hindsight being what it is, it’s pretty much common knowledge now that Reeves wanted nothing to do with The Watcher from the get-go:

“I never found the script interesting, but a friend of mine forged my signature on the agreement…I couldn’t prove he did and I didn’t want to get sued, so I had no other choice but to do the film.” [source]

What’s more, it appears that the script was re-written to capitalize on Reeve’s sudden popularity after The Matrix, but he still got substantially less than co-star James Spader. I can’t recall any time James Spader was considered the bankable name on a movie. Anyway, Reeves did the movie, but demanded that he be kept from doing any publicity for the film, as well as keeping his image off of any product placements. Which is why the poster image is in silhouette rather than obviously being the big mug of Keanu.

Anyway, this little trip down amnesia lane aside, I recall going to see The Watcher on opening night–that’s right, in the theater–due to my buddy Nex wanting to check it out, and there not being much else to do that evening. And, I was bored to tears. It was a sub-standard noir flick, with your standard predictable cat-and-mouse mystery and a laughable performance by both big names on this. There’s a scene where Reeve’s character is getting hisself pumped up for evil doings with a rather loud Rob Zombie song (Rob Zombie songs being standard issue for movies like this at the time). Other than that, I remember hardly anything from this movie, and I wasn’t about to re-watch it now to do a proper review for it. It’s a forgettable crime “thriller” that you won’t be missing much from if you decide not to include it in your Keanu Reeves theme night. Pass…

Movies+Beer Pubcast: DETECTIVE PIKACHU

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detective pikachu

James is joined by Brian, Andrea, Jacob, Everett and Sarah to discuss the live-action Pokemon movie, Detective Pikachu. Was it good? Was it merely fan wankery? Do the Exalted Geeks go down several rabbit trails during the discussion of the movie? Listen in and find out…

Movie Review: COOL WORLD

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cool worldParamount

“I’m a cartoonist. I drew all this. I have visions. I translate this.”

While growing up in rural Eastern Nebraska in the late 1980s and early 1990s, my family had a monthly tradition where we would drive to Sioux City, Iowa to the Southern Hills Mall (shout-out, there) after church, and spend the afternoon there. They would give my sister and me some monies, and we were off on that day’s adventure. Mostly, if there was any new movies of interest out at the time, I would use part of the $20 to see the flick at the theater inside that mall. And in the summer of 1992, one of those movies I watched in that theater complex was Cool World.

Keep in mind, I wasn’t as pop culture-savvy back when I was 18 as I am now, so I had no idea who Ralph Baskshi was, let alone his contribution to the world of animation. All I had to go on was that Cool World was a blend of live action and animation, so it had to be like Who Framed Roger Rabbit?, right?

*sigh* No. No it wasn’t. Let’s get this over with, then…

Jack Deebs is a cartoonist who is due to be released from jail. His comic book Cool World describes a zany world populated by “doodles” (cartoon characters) and “noids” (humanoids). What Jack didn’t realize is that Cool World really does exist, and a “doodle” scientist has just perfected a machine which links Cool World with our world. Intrigued at seeing his creation come to life, Jack is nonetheless wary as he knows that not everything in Cool World is exactly friendly.

On my first watch of Cool World back then, I remember being beset by a combination of confusion and boredom. Having rewatched Cool World decades later just to give it a second chance in my old(er) age…yeah, this movie is still a very disjointed and confusing mess. Even after gaining a more informed appreciation of Ralph Baskshi and his cult films. The characters — both live action and animated — have no personality…and inexplicably, there’s a bunch of non sequitur bits of animation that just shows up and distracts from the story. And speaking of the story, that’s all over the place, not even adhering to their own established rules of their universe, and features a bat-guano climax ending that will make your head hurt before fading away into a memory that you eventually question you ever really experienced in the first place.

Overall, Cool World may have started off as ambitious and subversive, but ended up more a confusing mess. Watch if you’re morbidly curious, otherwise pass on this one.

Book Review: The NIGHT CLASS

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book-review-the-night-classTom Piccirilli
Leisure Books

The college winter break is over, and Caleb Prentiss faces yet another semester of higher education. Struggling with alcoholism and frustrated by his irrelevant classes, Cal seeks solace in the arms of his scholastic-conscious girlfriend and in somnambulistic conversation with a mystifying college radio DJ. But Cal’s ennui is shattered when he discovers evidence of a murder which occurred in his room over the Christmas recess. Obsessed with unearthing the particulars of this gruesome and haunting event, Cal wanders down the grotesque hallowed halls of a university gone mad. Run-ins with the two hard-nosed campus security guards, relationship hurdles with both friends and lovers, and enigmatic signals from the Dean’s icily eminent wife force Caleb to question his place in the bizarre night classes of higher education. Even as he gets ever closer to the truth, Caleb is plagued by the supernatural occurrence known as stigmata: his hands bleed in imitation of the wounds of Christ whenever someone close to him dies. And Cal’s hands are bleeding a lot these days.

Thomas Piccirilli was not an author I was familiar with back when I ran into the paperback edition of the book The Night Class while perusing the pittance that is the book section of the local Wal Mart back in 2002. It was the cover of this just-released mass market edition of the book that caught my eye, and the blurb on the back deepened my interest, so I bought it and gave this a shot.

As it turns out, The Night Class happens to be the only novel I’ve read of his. Out of respect for the dead (Piccirilli died of cancer at the age of 50 back in July of 2015), I’m not going to rag on him too much; and really, only reading one novel out of the rather prolific output he’s managed since 1990 isn’t the best way to judge likability. The Night Class, however, was his eighth published novel, so it’s not like I picked up his first attempt at writing to go off of.

The style of the story in The Night Class can be best described as “Noir Horror”. At its core is a murder mystery that has a dark surreal psychological underpinning that lends itself to some bending of reality, so to speak. When it works, it works, as the tone and atmosphere is nicely dark and dreadful. The first part of the novel builds up pretty well; it’s when we hit the mid-part is when things get a bit sluggish, especially when all the flashbacks start happening. At some points, I had to start over a section just to remember if I was reading the present or if we were once again in a flashback. The behavior of the characters, and some of the dialog spoken is supposed to invoke some surrealistic dread, but it was executed rather poorly, in that it instead invoked more than a few “huh?” moments. By the time I got to the end wrap-up, I’m afraid I didn’t react very strongly to the big twist.

I read The Night Class, and that was it. I haven’t looked up any further titles from the late Tom Piccirilli since then (I have run into a couple of his short stories in a couple of horror fiction anthologies). It’s not entirely bad, but not something I would recommend outright.

Book Review: The DARK HALF

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book-review_-dark-halfStephen King
Viking Press

“You’re dead, George. You just don’t have the sense to lie down.”

When Thad Beaumont wakes to the nightmare of George Stark, he hears birds, thousands of them, all cheeping and twittering at the same time, and with the sound comes a presentiment full of memory and foreboding: The sparrows are flying again. Thad Beaumont is a writer, and for a dozen years he secretly published novels under the name of “George Stark” because he was no longer able to write under his own name. He even invented a slightly sinister author biography to satisfy the many fans of Stark’s violent bestsellers. But Thad is a healthier and happier man now, the father of infant twins, and starting to write as himself again. He no longer needs George Stark, and in fact has a good reason to lay Stark to rest. So, with nationwide publicity, a bit of guilt, and a good deal of relief, the pseudonym is retired. In the small town of Castle Rock, Maine, where Thad and Liz keep a summer home, Sheriff Alan Pangborn ponders the brutal roadside murder of a man named Homer Gamache. When Homer’s pick-up truck is found, the bloody fingerprints of the perpetrator are all over it. They match Thad Beaumont’s exactly. Armed with evidence, Pangborn pays the Beaumonts a visit, and suddenly he too is thrust into a dream so bizarre that neither criminal science nor his own sharp mind can make sense of it. At the center of the nightmare is the devastating figure of George Stark, Thad Beaumont’s dark half–impossibly alive and relentlessly on the loose–a killing machine that destroys everyone on the path that leads to the man who created him. As Stark approaches, as Thad and Liz contend with the escalating horror and implacable threat of his existence and Thad reaches deep inside his own mind to mount a defense, forces gather in the air above Castle Lake, outriders of the dead to the land of the living….To whom do they belong?

After a two-year hiatus in which he was dealing with his addictions and getting his personal life back in order, Stephen King wrote and released one of my all-time favorite novels of his career in late 1989. I remember reading the synopsis and review of this book in the Omaha World Herald that year, and my persistent requesting of the book for either a birthday or Christmas present (both fell in the same month, a couple of weeks apart). Instead of the book, however, I received a Smith-Corona electronic typewriter, and the 1989-1990 Publishers Guide. Eh, at least my parents were aware of my writing aspirations. If that doesn’t establish my writing geek cred, I don’t know what does.

Anyway, it wasn’t until the next year, when The Dark Half was released in the far more affordable Mass Market Paperback edition when I was able to get around to finally reading it. The general concept of an alter ego coming to life and wreaking havoc was heady enough to resonate with me up to finally cracking open the book and reading the story within. And when I did, it only took me a good five or six collective hours to consume this thing.

Seriously, I began reading it before calling it a night one evening, and then suddenly I discovered it was well past the midnight hour, and I had to get up to go to school later that morning. I took it to school with me, where I pretty much finished it up in the study hall period. I wasn’t planning on doing that; it just so happened that the story itself flowed so naturally and was engaging to the point of where I seriously got lost in it, having to pull away just to interact with the real world.

On its own, The Dark Half is a hard-boiled supernatural noir thriller that grabs you by the no-nos and yanks hard and relentlessly. Having found more success at writing paperback thrillers under a pseudonym rather than his more serious literary output under his real name, an author decides to symbolically put to death this alter ego of his after word gets out that he was the man behind all those potboilers. But, it seems you can’t keep a good pen name down, as the more-than-slightly-miffed dark half (see what I did there?) crawls out of his grave, and begins killing everyone associated with the writer in rather grizzly ways.

Really, though, the metaphorical concept of putting to rest your past and moving on, hoping it won’t try and come back from the dead and wreak havoc in your life is a strong one. Considering The Dark Half was written after a two-year hiatus wherein Stephen King was kicking his drug habit and getting sober before starting to write again, the underlying message is rather evident. Not that I’m trying to read into this, but it has been postulated by the author himself.

Compared to what was released a few years prior, The Dark Half is much more focused, much like a laser honed to cut through the skin, thus proving that sober and focused Stephen King is much, much better than fueled by cocaine Stephen King. The story is dark, streamlined, and doesn’t take the easy way out with the ending. The Dark Half is, without a doubt, my favorite Stephen King novel to date.

Book Review: SMALL FAVOR (The Dresden Files)

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Book Review: SMALL FAVOR (The Dresden Files)Jim Butcher

Wizard Harry Dresden’s life finally seems to be calming down. The White Counsel’s war with the vampiric Red Court is easing up, no one’s tried to kill him lately, and his eager apprentice is starting to learn real magic. For once, the future looks fairly bright. But the past casts one hell of a long shadow. Mab, monarch of the Winter Court of the Sidhe, calls in an old favor from Harry. Just one small favor he can’t refuse—one that will Harry Dresden between a nightmarish foe and an equally deadly ally and strain his skills and loyalties to their very limits. And everything was going so well for once…

It’s the tenth book in the ongoing Dresden Files series of novels, which means we’re two-thirds of the way through with what’s out there at the time of this writing. Just a little aside: On the Good Reads entry, there’s one reviewer that’s been keeping a tally of how many times the proclamation of “Hell’s bells” is made by Dresden. Here in Small Favor, it looks like it was said 21 times. Anyway, how goes this installment in the series?

Another year has passed, and here we start as Harry Dresden receives a visit by Queen Mab of the Winter Fae, calling in one of the favors Harry owes her. And this one entails being her emissary and protect John Marcone, the “gentleman” crime boss of Chicago that has played some considerable part in Harry’s life since the first book. This is no easy task, as he’s constantly attacked by the goatlike soldiers of the Summer Fae called the Gruffs. Then the Denarians show up again, as does Ivy the Archive, and then the party really gets started. The Archive is kidnapped, and everyone shows up on an island of really dark mojo for yet another explosive and wacky showdown. And not everyone gets out unscathed.

Aw, yeah, the Billy Goats Gruff. While the first couple make for some rather tense action scenes, the showdown (in a manner of speaking) with the third Gruff uses more of Dresden’s gift of wit in a way that’s just downright hilarious. That aside, though, the book hits all the standards that the series has, which at this point would normally mean things getting a bit stale and predictable. But, as reading Small Favors proves, things are stirred up in the narrative to keep things fresh. And the fate of one of the major side characters is quite shocking, to say the least.

Overall, another fun read, the momentum not slowing a bit. On to the next one…

Book Review: WHITE NIGHT (The Dresden Files)

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Book Review: Dresden Files 9 - White NightJim Butcher

Someone is targeting Chicago’s magic practitioners—the members of the supernatural underclass who don’t possess enough power to become full-fledged wizards. Some have vanished. Others appear to be victims of suicide. But now the culprit has left a calling card at one of the crime scenes—a message for Harry Dresden. Harry sets out to find the killer, but his investigation turns up evidence pointing to the one suspect he cannot possibly believe guilty: his half brother, Thomas. To clear his brother’s name, Harry rushes into a supernatural power struggle that renders him outnumbered, outclassed, and dangerously susceptible to temptation. And Harry knows that if he screws this one up, people will die—and one of them will be his brother…

Ninth book in the ongoing Dresden Files series, this one involving a murder mystery and the White Court Vampires again. Also, that pesky fallen angel that’s been stuck in Dresden’s head. I can only imagine how annoying that would be. I already have enough trouble with voices without having a fallen angel taking up residence inside my noggin. Anyway, considering the book itself…

Someone, or something, is killing magic practitioners in Chicago and making them look like suicides. While investigating, Harry discovers his former love Elaine is in town banding the other minor practitioners together for safety. He comes cross a mysterious gray cloaked figure with tries to one of the surviving necromancers from Dead Beat, and a branch of vampires who feed off fear are responsible for the suicide-looking murders. Meanwhile, Harry’s half-brother Thomas has been smuggling magically talented women out of the city to protect them, they’re attacked by ghouls, and Harry saves Elaine from an attack. Seems Madrigal Raith–the Lord of the White Court of vampires–is behind all of this, and so Harry rallies the troops to confront him about his shenanigans of late. Things go boom.

Overall, White Night was a pretty good supernatural mystery that continues the overall drama and story of Dresden’s life. There’s some further development and a bit of insight into just what kind of dog Mouse really is, the whole White Court vampire dynamic makes for some amusing soap opera drama and such. Also, there’s a surprise resolution of an arc that I thought was going to be stretched out a bit longer, maybe the next couple of books or so. Long story short, though, another action-y urban fantasy noir mystery with just a hint of cheese goodness.

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