Music Review: SKALD IN VEUM – 1260 Days

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skald in veum - 1260 daysSKALD IN VEUM
1260 Days
Rottweiler Records

For the most part, the first thing that pops to one’s mind when you say Black Metal would be Norway. That’s the traditionally thought-of birth place of one of the most extreme of the metal genres, naturally. But the spores of the genre inevitably took root in various other countries, and soon we saw Black Metal bands, as well as Black Metal-influenced bands, popping up in the most curious of places. Swedish Black Metal, however, seemed rather inevitable. And that’s my little way of seguing into talking about this release by Swedish Black Metal band Skald In Veum.

After forming in 2013, they released this EP–1260 Days–in 2015 through Rottweiler Records, both in the physical CD format and as a digital download. Whichever format you go with, 1260 Days is a fantastic just short of 30 minutes of harsh, unrelenting old-school Black Metal that’s well worth the money spent for this.

After your standard brief ambient intro featuring ravens cawing with a storm brewing in the background, the first proper cut from the release, “Drunk With Tainted Blood”, rips into your earholes, slaying your auditory senses with shredding riffs and face-melting blastbeats, intermixed with bone-chilling croak-shriek vocals that let up only briefly to hit you with some slow, thick and dark doom progression. For the entirety of the EP, all of the songs on here–including “Inferno”, “Eden Raped”, “Until My Head Rolls” and “Siaren”–maintains this style of Black Metal, with a strong early Dark Funeral vibe, with a bit of a Death Metal influence that shows up once in a while, especially with the lower register of the vocalist. Not that it’s a bad thing, mind; it adds a bit of texture to the scope of the music. The production is good, and the music is tight, lending itself to a very, very enjoyable listening experience from the get-go. Overall, I would say that 1260 Days was well worth your time checking out. Here’s hoping for more from the band in the future.


Music Review: ADMONISH – Den Yttersta Tiden

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Music Review ADMONISH - Den Yttersta TidenADMONISH
Den Yttersta Tiden

I’ve written about Swedish Black Metal band Admonish before, as I took the bass-ackwards route to reviewing their discography by writing a review of their second EP release Insnarjd back in 2014-ish. It’s taken me a while to get to reviewing their first EP release, Den Yttersta Tiden; there’s no rhyme or reason to that, just now getting around to it. Also, I should point out that, since that time, I’ve discovered that Admonish has its own Wikipedia page, which is downright fascinating with the history of the band and such. Anyway, on to the review, shall we?

Despite having formed in 1994 and being active since then, it wasn’t until 2005 when they released this three-song EP–Den Yttersta Tiden–following a show at Sweden’s Club 666. I cannot tell you how tickled I am upon discovering that. The music on the EP is of the old school Black Metal variety–furious riffs, blastbeats, chilling shriek vocals, tempered at times with some mid-paced interludes, atmospheric and somber undertones. There are some acoustic instruments and some regular singing mixed in–on the last track, “Var Inte Radd”, the regular singing and the black metal vocals do a kind of duet–giving a bit more texture to the standard Black Metal assault.

Overall, Den Yttersta Tiden is a good sample of Black Metal with some somber and atmospheric undertones. The production is good, and while not groundbreaking, it’s a good, albeit brief, listen.