Movie Review: RADICAL JACK

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radical jackEdgewood Entertainment
2000
R

Back in the early 1990s, I don’t think anyone could anticipate the kind of career trajectory Billy Ray Cyrus would take. After hitting One Hit Wonder gold with the infernal Country earworm “Achy Breaky Heart”, he seemed to have parlayed his lukewarm music career into various acting endeavors, as well as spawning more successful musical progeny. You have to admire his tenacity and work ethic, if not his talent.

In 2000, the Mulleted One starred in a low-budget “action” flick named Radical Jack. This movie’s premise seems to smoosh together two better movies: Road House and Stone Cold, only with hardly any of the charm and cheesy goodness of those. Radical Jack is an action movie so vanilla, so devoid of actual action or substance, you can’t help but continue watching out of pity, really.

Radical Jack tells the tale of ex-CIA operative “Radical” Jack (“Radical” was his code name, presumably chosen by a 10-year-old son of a Colonel) who is recruited begrudgingly to scope out illegal weapons trade happening in a small po-dunk Southern town of nondescript. Since “Radical” Jack rides a motorcycle and rocks a sweet, sweet mullet, of course the moment he hits the town he immediately gets a job at the local bar, but not until after he does his laundry and have sepia-toned flashbacks. He runs into the gang of ruffians lead by the son of the…gangster? Illegal gun fencer? Whatever you call him…all I know is he likes to sit outside on the porch of his nice home in the finest of polo shirts and have brunch and coffee a lot. Anyway, that guy’s kid and his slack-jawed yokel friends like to drive around in a Hummer and generally be assbutts to everyone in the town, including the waitresses at the bar that “Radical” Jack now works at. You can probably see where this is going. So, several confrontations happen, a bunch of tough-guy posturing and badly choreographed fight scenes ensue, and eventually the biggest non-surprising non-twist happens and the movie is over. Finally.

I have no idea who came up with the bright idea to try and make Billy Ray Cyrus an action star. Trying to take a guy who is closely associated with all-American wholesomeness and turning them into a grizzled antihero type just fell flatter than Garth Brooks’ attempt at his Chris Gaines persona. And I just now realized that I seem to know way more about 90s era country music than I’m comfortable to admit. That crap was everywhere, man. Anyway, the dialogue spouted was beyond horrible, the “action” scenes laughable, and if it wasn’t for some face palm-worthy bits of swearing that Billy Ray doesn’t seem to be able to pull off and some surprise nudity, I would swear this was a Family Channel attempt at edgy action television. The only redeeming quality of this movie happens to be that it’s one of those movies so bad that you can’t seem to stop watching, like a train wreck.

Fortunately, there was no further attempt to make Billy Ray into an action hero star. Unfortunately, Radical Jack still exists. And if you come across it…grab your friends, and rip this one to shreds. You’ll have a jolly good time.

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Movie Review: EDGE OF TOMORROW

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Movie Review EDGE OF TOMORROWWarner Bros. Pictures
2014
PG-13

“Now listen carefully. This is a very important rule. This is the only rule. You get injured on the field, you better make sure you die.”

When Earth falls under attack from invincible aliens, no military unit in the world is able to beat them. Major William Cage, an officer who has never seen combat, is assigned to a suicide mission. Killed within moments, Cage finds himself thrown into a time loop, in which he relives the same brutal fight–and his death–over and over again. However, Cage’s fighting skills improve with each encore, bringing him and a comrade ever closer to defeating the aliens.

Edge Of Tomorrow is a science fiction movie that I remember seeing the teaser trailer for once while waiting for another movie to begin. It consisted of Tom Cruise in a mech suit of some kind, wondering around a battlefield with things blowing up around him…and that’s about all I remember before my brain began drifting to other, much more interesting things, like wondering if there was time to go get a package of Reese’s Pieces to mix in with my popcorn (I opted not to go). I wasn’t really planning on ever watching Edge Of Tomorrow, more out of disinterest in yet another gritty science fiction war movie, let alone one that features Tom Cruise in there. But, yet again the great ogre that is boredom reared its ugly head one weekend afternoon, and spying this on the streaming decided to kill off a couple of hours. The resulting reaction was…mixed, at best.

It’s the near future of…2015, and in a totally ironic reversal, Germany has been invaded…by a horde of intergalactic aliens called the Mimics, sort of a hive-minded Lovecraftian horror that managed to kill all the humans in their way. Five years later, the world’s combined military forces have finally managed their one victory, led by a sergeant in a mech suit that was dubbed the Angel of Verdun. This provides a much-needed boost of moral for the humans, and before you know it a major offensive in France is planned, with public affairs officer Major Tom Cruise William Cage being recruited to cover the day of the assault. Major Cage has a slight disagreement with this idea, and so he’s busted down to Private, labelled a deserter, and assigned to the J Squad for the battle. Of course, the battle itself doesn’t go well, and Private Cage dies taking out a rather large Mimic, getting covered in its blood with his dying breath. The End. Oh, wait, no…Cage wakes up again, reliving the last 24 hours leading up to the battle, with the memories of the previous attempt fresh in his head. Realizing he’s stuck in his own personal Groundhog Day hell, he proceeds to spend maybe hundreds of the reiteration of the same day trying to figure out a way to stop the Mimics once and for all. And this involves hundreds of times trying to convince the Angel of Verdun that he’s not nuts and help him do so. Of course, the standard time loop wackiness ensues, leading to finding the Big Alien Brain behind all this, which might involve Cage having to make the final assault without his timey-wimey powers.

As I was watching this, I kept asking myself, who was it that decided that Tom Cruise, of all people, needed to be an action star? This seems to be his modus operandi with movies since the end of the 20th Century. You would expect him to maybe be in a parody of an action movie, like with Charlie Sheen (Hot Shots) and his brother Emilio Estevez (Loaded Weapon 1). I don’t watch a lot of Tom Cruise movies, but going over the filmography page on IMDB, it seems that after doing Eyes Wide Shut, there’s been a lot of action movies on his list. And okay, he was in the action movie comedy Tropic Thunder, which is an awesome movie and everyone should go see it. But still, Tom Cruise still seems…off as a choice for action hero material. But, I digress.

It probably won’t come as much of a surprise when I say that I’m unfamiliar with the Japanese novel this movie is based on, All You Need Is Kill. Which is a very Japanese sounding name, there. And from what I’ve gleaned on the interwebs, there was a lot of plot streamlining for the movie, so one could say that Edge Of Tomorrow is loosely based on the novel. That said, my impression of Edge Of Tomorrow is essentially Groundhog Day meets Starship Troopers. That’s the movie in a nutshell, minus the having to travel to distant planets to battle the alien horde. Mind you, I happen to dig the whole “stuck in a time loope” trope, when it’s done well, and here it’s done pretty good. Also, you get kickass mech suits and the late, great Bill Paxton as the Master Sergeant, with a whole lotta stuff blowing up. In other words, it’s an sci-fi action movie that tries to be smarter than what it really is, and the result is a rather enjoyable popcorn flick that you don’t have to think too hard about, as all the technical stuff is spelled out for you. You can just sit back, munch on some popcorn, and enjoy the show.

Overall, I did enjoy Edge Of Tomorrow the same way I enjoyed the original Independence Day, right down to the “hooray human endurance” happy ending. Mind you, I don’t understand why Warner Bros. decided to play up the movie’s tag line–“Live. Die. Repeat.”–upon the home video release. To many, that’s the actual title of the movie. I had a co-worker refer to it as that, asking “Have you seen Live Die Repeat?”, which took him describing the plot to make me realize he was talking about this movie. Regardless, you should check this out some time as a rental if you haven’t done so.

Movie Review: KONG: Skull Island

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kong skull islandWarner Bros.
2017
PG-13

“An uncharted island. Let me list all the ways you’re gonna die: rain, heat, disease carrying flies, and we haven’t started on the things that want to eat you alive.”

Scientists, soldiers and adventurers unite to explore a mythical, uncharted island in the Pacific Ocean. Cut off from everything they know, they venture into the domain of the mighty Kong, igniting the ultimate battle between man and nature. As their mission of discovery soon becomes one of survival, they must fight to escape from a primal world where humanity does not belong.

King Kong. What can I say that hasn’t already been said, really? He’s one of the, if not the original Giant Monster of cinema, with Hollywood trying again and again to capture that movie magic of the original…and the results being mixed at best. I mean, I did rather enjoy Peter Jackson’s King Kong movie from 2005, even though it did seem a bit too big for its own britches. And that’s a phrase I never though I’d be using ever.

Now, here we are in the Teens of the the 21st Century, and the big trend right now is making everything that can even remotely be shoehorned into a shared cinematic universe, no matter how ridiculous sounding, given a movie that does just that, their standalone movie being an introduction to that character. Yeah, we have the Marvel Cinematic Universe to thank for that. Anyway, it seems that there’s a push for a shared kaiju universe that may or may not have been planned out when the 2014 Godzilla movie came out, but here we have Kong: Skull Island, which does indicate that there’s gonna be a Giant Monster Universe of movies that are going to be popping up in the near future. And quite frankly, if they’re all going to be of the quality that Kong: Skull Island was, then I’m all in.

Before I proceed, full disclosure: I never got around to watching Kong: Skull Island when it was in the theaters. The plan was to watch it in the local Second Run theater, where the ambiance of the place lends to the atmosphere of watching a giant monster movie. It’s what I did with the 2014 Godzilla movie, and I just wanted to continue the trend. Alas, I was a bit too busy, and by the time I found time, it was already out of the Second Run and on DVD/streaming. Anyway, on to the movie itself…

After a flashback where we see a couple of World War II fighter pilots–an American and a Japanese–crash land on a South Pacific island and have their ideological differences smacked away soundly by a giant ape hand, we fast-forward to 1973 (good year, that) and the end of the Vietnam War. Here, a government agent decides to take advantage of the military’s sudden down time and hires them to help with an expedition out to that remote South Pacific island, known now as Skull Island. Because of course it would be named that. Bringing along some scientists, a photojournalist and the helicopter squadron the Sky Devils, they arrive at the island, and–with some choice Black Sabbath blaring along–suddenly find themselves dodging trees. Not because they were flying so low, but because the trees were being thrown at them. The source of this being King Kong, the giant ape, so everyone should be thankful that he was lobbing trees at them, and not something more…scatological. Anyway, they all crash at different points on the island, and everyone discovers the hard way why Skull Island is not in the running to be the next vacation destination. One group stumbles upon the surviving American WWII pilot, makes friends with the natives and learns more about Kong and what he does (hint: he’s actually rather fond of the humans), as well as the other nightmare fuel monsters that dwell there. They also found the way off the island. Meanwhile, group two, lead by Lieutenant Colonel Samuel L. “Insert One Of His Famous Catch-Phrases Here” Jackson, decide to deal out a bit of the ol’ eye-for-an-eye on Kong, due to so many dying by the initial tree attack. Of course, this just rouses out the island’s actual big-bad, which shows up to make everyone mess themselves while trying to get away. Too bad Kong is all crispy and dead and all. Just kidding, of course he’s all right. I mean, how else are they going to do the sequel, amiright?

Kong: Skull Island was…awesome. There, I said it. I didn’t think I would enjoy the movie as much as I did, but here we are. We have a nice, tightly made King Kong movie that comes in at a nice 90 minutes, doesn’t waste much time to getting to the Giant Monster action (and not making everyone wait over an hour to even get to the island, Mr. Jackson), and still manages to flesh out the characters and story enough to keep you engaged until the after credits scene that effectively previews all the movies they’re wanting to make in this universe. The scenery and effects were rather good, as was the nightmare fuel that were the indigenous creatures of the island. And yes, the action scenes were breathtaking. The actors were fantastic, giving credence to their motivations, especially Samuel L. Jackson’s Lieutenant Colonel, which has kind of an Ahab arc through this.

Overall, I have to say that Kong: Skull Island is a great giant monster movie. A really entertaining giant monster movie that doesn’t seem too long, and actually makes me kind of excited about this whole shared universe of movies they’re going for. Definitely check this one out some night, maybe as a double-header with the 2014 Godzilla. Recommended.

Movie Review: WONDER WOMAN

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wonder womanWarner Bros.
PG-13
2017

“I used to want to save the world, this beautiful place. But the closer you get, the more you see the great darkness within. I learned this the hard way, a long, long time ago.”

Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, Diana meets an American pilot who tells her about the massive conflict that’s raging in the outside world. Convinced that she can stop the threat, Diana leaves her home for the first time. Fighting alongside men in a war to end all wars, she finally discovers her full powers and true destiny.

So, by now, if you’re reading this, you fall in one of three categories: 1) you’ve already watched Wonder Woman (perhaps multiple times), 2) you have yet to watch Wonder Woman, as you’re still iffy about the possible quality due to the track record of the previous DC movies in the past couple of years, or 3) you’re trying to find something to be angry about to satisfy your inner sense of political self-righteousness. I wish I could say I was joking about that last part.

Anyway, Wonder Woman. Officially the fourth movie in DC’s Extended Universe, this one had the stigma of needing to be not as bad as the previous films turned out to be. I say this as the general overall perception of the previous films; you might recall that I ended up liking Man Of Steel a bit more than most of all fandom did. Batman v. Superman was a hot mess, while Suicide Squad was also a hot mess, but a far more entertaining hot mess. As such, by the time Wonder Woman rolled around, my expectations were rather low. All the movie had to do was not suck obnoxiously, and it would be the best DCEU movie of the bunch. And on that basic front, Wonder Woman succeeded. Boy howdy, did it succeed.

After a prologue scene where Diana Prince receives a special package from some guy named Bruce Wayne, we’re taken back to the Greek island of Themyscira, the home of warrior women called the Amazons, at a time when she was a precocious little tot who wanted so badly to be a warrior like everyone else, but her mother–Queen Hippolyta–would rather she pursue a more mundane existence, for her own good. Diana’s aunt, however, disagrees with the sentiment, and begins training the young girl in secret. In time, though, they are found out, which leads to…Diana getting even more training. And after a surprise hint as to Diana’s true nature, in comes the first male to visit Themyscira since ever, with WWI pilot Steve Trevor crashing into the coast. After Diana rescues him, the Germans soon invade, causing havoc and, after interrogating Trevor, Diana decides that Aries, the god of War is behind this World War (under the guise of German General Ludendorff), and sets off to kill him to bring peace to mankind. After a brief stint in London, Diana, Trevor and a motley crew travel to the front lines, where Diana wastes no time in invading No Man’s Land, takes out a machine gun nest, whups a bunch of Germans into submission, and punches a tower (the tower loses) to liberate a small Belgium village from the occupation it was under. However, General Ludendorff decides to wipe out the village the next day with a big ol’ Mustard Gas bomb, which pisses Diana off even further, and she goes off and manages to kill Ludendorff…only Ludendorff isn’t Aries. In a twist that everyone saw coming miles away, the real Aries shows up, he tries to explain that mankind isn’t under his spell, that mankind is capable of all sorts of atrocities by themselves, which clashes with Diana’s sense of altruism, which leads to a big fight with lots of damage and ‘splosions and stuff. Meanwhile, Trevor sacrifices himself to save London from being hit with a cargo plane full of Mustard Gas, Aries is defeated, and we flash back to current times where Diana decides that the power of love will blah blah blah, something-something I’m Wonder Woman now. The end.

It took them a few times in this shared universe of theirs, but DC has finally stumbled upon the formula for making a superhero movie feel like a genuine superhero movie. The tone and feel really brings back the sense of (no pun intended) wonder that Richard Donner’s Superman The Movie did, where you’re watching and manage to go beyond seeing some actor dressed as Wonder Woman, and believing it really is Wonder Woman. With maybe the exception of the CGI heavy boss fight at the end (yeah, it did feel like a video game cut scene), the two-and-a-half run time didn’t seem that long at all.

I went into Wonder Woman expecting it to fail, and wound up suddenly having hope for the other DC movies coming up after this. We’ll see. In the meantime, if you still haven’t seen Wonder Woman, go do so now while it’s still in theaters. Assuming you’re reading this while it still is.

Movie Review: POWER RANGERS

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power rangers movie posterLionsgate
2017
PG-13

“I’ve killed Rangers before.”

Five ordinary teens must become something extraordinary when they learn they learn that their small town of Angel Grove–and the world–is on the verge of being obliterated by an alien threat. Chosen by destiny, our heroes quickly discover they are the only ones who can save the planet. But to do so, they will have to overcome their real-life issues and before it’s too late, band together as the Power Rangers.

Let me try to explain my history with the 90s phenomenon that is the Power Rangers franchise: as I would mention in the podcast the Exalted Geeks and I would record after watching this reboot of sorts, I was 19 when the original iteration of the Mighty Morphin Power Rangers hit the Fox affiliate in my neck of the woods. Even though I was still religiously watching shows like Animaniacs and the most excellent Batman The Animated Series, the Power Rangers didn’t seem all up my ally. Then, while staying at a friend’s house, I was made to watch an episode of the show, to which I remember thinking, “Wow, this is terrible…when’s the next episode?” It was a combination of a bad soap opera and Voltron. On the one hand, I knew it was horrible, but I couldn’t stop watching. Soon I found myself catching every episode; well, up until the middle of the Turbo version of the show. That’s when I decided this was too much camp for even myself to care about. And that really does say a lot.

Anyway, all this to lead up to the fact that I watched this recent reboot of the Power Rangers in movie form. Since the big thing now is to reboot everything from everyone’s childhood, it was inevitable. With the Power Rangers, while I was very much familiar with the source material, I didn’t have as close a personal connection as I would have been had I been a child when the show came out. As such, I can’t really complain that Hollywood is destroying my childhood, or whatever. Which is why I kind of lean more toward the “it was all right, I enjoyed it” side of the split reaction this movie is having.

Power Rangers, the movie itself, is what it is, and that is an action movie with “teens” and a strong sci-fi bent and giant robots fighting giant monsters and stuff. Sure, the tone is quite a bit darker, and the teens suffer from the put-upon angst that every teen and young adult seems to have in movies nowadays. But, I do find that better than the goody-goody do-gooders of the television show. And here, Zordon isn’t the all-wise, all-knowing head inside a giant terrarium; he’s more of a cranky jerk trapped inside a wall of a space ship. And Rita Repulsa was originally the Green Ranger before she turned on her Rangers, which was lead by Zordon, who was a Red Ranger, and not a space witch that was trapped in a dumpster on the moon. But…I like that angle. It works here, I think.

Mind you, that doesn’t mean that I don’t have my points of contention. Like, for instance, the over-abundance of Krispy Kreme product placements. I mean, it was to the point where it was part of the dialog and factored into the search for the MacGuffin Crystals. There’s a scene where, while the Rangers are busy tussling with the giant monster outside, we cut to a shot of Rita sitting down to try out a couple of donuts inside the Krispy Kreme. I haven’t seen this level of blatant shoehorning of product placement like this since the Mountain Dew soda machine turned into a robot in the first Transformers movie.

Overall, though, I did enjoy the movie for what it was. It didn’t try to be a carbon copy of the source material, yet didn’t crap all over it as well, unlike certain recent movies involving giant transforming robots or mutated reptile martial arts enthusiasts. The story was good, the cast had some good chemistry between them, and had just the right amount of cheese to keep the whole “grim n’ gritty” in check. Yeah, if you’re a fan of the series, go ahead and check it out. Results may vary.

Movie Review: The LEGO BATMAN MOVIE

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lego-batman-movieWarner Bros.
2017
PG

“Wait a minute. Bruce Wayne is Batman…’s roommate?”

There are big changes brewing in Gotham, but if Batman wants to save the city from the Joker’s hostile takeover, he may have to drop the lone vigilante thing, try to work with others and maybe, just maybe, learn to lighten up. Maybe his superhero sidekick Robin and loyal butler Alfred can show him a thing or two.

Admittedly, 2014’s The Lego Movie was probably one of the more unexpected hit movies based on a toy property to come out that didn’t have giant robots turning into vehicles or Michael Bay’s name attached to it. I still haven’t watched The Lego Movie as of this writing, mind you; that’s mostly due to my disdain of the nigh-ubiquitous “Everything Is Awesome” theme song that certain chipper types at work seem to utilize as their own personal theme music. I’m sure I’ll get over myself and get around to watching it eventually. Not as of yet, though.

Anyway, reportedly the most popular side character in that movie was Batman, which lead to the spinoff, The Lego Batman Movie. There was no doubt in my head that I was going to see this movie. I remember sitting in the theater a year prior, waiting for the exorcise in overstuffed mediocrity that was Batman V. Superman, and watching the teaser for The Lego Batman Movie, then leaning over to one of the Exalted Geeks in attendance and saying, “Why aren’t we watching this movie?” The Lego Batman Movie, even then, looked to be the superior Batman movie to, not only the one that we ended up watching that day, but to pretty much every other Batman movie that has come before.

Calm down, fanboys and fangirls. You know I’m right. Just hear me out. But first, the rundown (also, there may be spoilers ahead, so be ye warned):

The fun begins with Batman villain The Joker, along with pretty much all of Batman’s rogue gallery (and then some) attempting to hijack a plane carrying stupid amounts of explosives, when he’s once again foiled by The Batman…only to have his heart broken when Batman informs Joker that he doesn’t consider him his greatest nemesis. This prompts the Joker to begin planning his greatest revenge against the Dark Knight…by surrendering himself and the rest of the rogues to the newly appointed Commissioner Barbara Gordon, thereby rendering Batman’s crime fighting services superfluous. Bruce Wayne, while attending a charity event, inadvertently adopts Dick Grayson, then hatches a plan to sneak into Superman’s Fortress of Solitude to steal the Phantom Zone projector with plans to put Joker in the most inescapable jail in existence. Of course, this is just playing into the Joker’s hands, as his master plan is to break out all of the ultimate baddies that were stuck in the Phantom Zone previously to take over Gotham. Can Batman get over his need to be on his own to fight the evil that has taken over Gotham? Will he allow himself to be part of a family again? Is it possible to reference every single aspect of Batman history without coming off as pandering and ham-fisted?

As many have already indicated, The Batman Lego Movie was a highly enjoyable animated action comedy that not only works well as a satire of the various bits of media that Batman has appeared in since Detective Comics No. Something-or-other, but somehow gets to the very heart of who the character of Batman is much better than the other movies ever did. And that is, deep down, Batman doesn’t want to suffer the pain of losing the people he loves, so he keeps everyone at a distance. Until he comes across a situation in which he has to drop those emotional shields of his and let others inside to work together. As a family, if you will.

Character deconstruction aside, The Lego Batman movie should be watched by everyone, not only the fans of the Batman movies, or the first Lego Movie, but everyone. The writing, the animated action, the imagination that went behind this, everything gels together so well that you almost have to take in a second showing just to get all the things you may have missed before. And believe me, if you want to go just to geek out on the Batman, this movie is jammed to the cowl with various references and Easter eggs to geek upon. Even I was impressed at how obscure some of the villains included were.

I need to reel myself in, lest I spend more time geeking out about this movie. Bottom line, if you haven’t seen The Lego Batman Movie by now, you need to go see it while it’s still out in the theaters.

Movie Review: THOR The Dark World

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movie-review_-thor-dark-worldMarvel / Disney
2013
PG-13

“If you even THINK about betraying him…”
“You’ll kill me? Evidently there will be a line.”

Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save us all.

As mentioned in the previous Thor movie review, I waited a bit after it was released onto DVD to get around to watching the movie due to the usual reasons I didn’t go see it in the theater, then after watching it found that I enjoyed it far mor than I thought I would. So, with that thought in mind, you would be forgiven if you thought that I then went out and watched the sequel, Thor: The Dark World opening weekend. You would be wrong, actually. I also waited until this was at least available for streaming on NetFlix or on DVD before I got around to watching The Dark World as well.

This time, though, it was for a far different reason than mere ambivalence, a reason I’m not going to go into detail here. Needless to say, I did have it on the list of movies to get around to watching; I just was only able to do so after it was out of the theaters and on that round, flat disc of plastic that only plays in that movie watchin’ device that replaced my old Beta Max the week prior. In related rants, I just got around to replacing my tried and true waxed cylinder player with one of those new-fangled reel-to-reel contraptions you young people insist on using all the time.

Anyway, Thor: The Dark World is, befitting of its subtitle, is a rather dark entry into the Thor movie series, and in the Marvel Cinematic Universe all together. It begins with a flashback to a battle between the father of Odin and a Dark Elf that’s played by a nigh-unrecognizable Christopher Eccleston (between this and Guardians Of The Galaxy, I’m beginning to think that the Marvel Universe likes to take Doctor Who alumni and make them all but unrecognizable), which ends up with the Dark Elf leader and his minions going into suspended animation and Odin’s daddy hiding away the movie’s McGuffin. Fast forward a number of centuries, and the Nine Realms are beginning to converge again, which results in playing with physics like a drunken kitten. It also reawakens the Dark Elf, who tries to go after the McGuffin to plunge all of the realms into darkness (or something like that). Only, it seems the McGuffin has inadvertently bonded with the Odinson’s love interest. The Odinson being Thor, in case you’re not up on your Norse mythology, here. So, now it’s up to Thor and his band of friends and his brother Loki to try and take down this rather ambitious Ninth Docto…er, Dark Elf before all of reality is brought down to mood lighting.

Of course Thor: The Dark World was far more awesome than it should have been. If I remember correctly, this installment wasn’t supposed to have Loki in it, for whatever reason. I think we can all agree it was a good idea to end up having him part of the story. Chris Helmsworth and Tom Hiddleston play off each other so well, I couldn’t imagine not having him part of the movie.

Thor: The Dark World–aside from being one of a handful of other movies that were released that year having the word “Dark” in the title–is a dark movie, or at least darker than the first Thor movie. What really stands out here is the development of most of the characters, including both Thor and Loki. Especially Loki, as we see much more depth to him rather than that he’s evil and mischievous. He really loved his mother, it seems. Also, spoilers: Thor and Loki’s mom dies. I figure it’s been long enough. Of course, the effects and the action are top notch, along with the general story itself being rather epic in its fantasy-by-way-of-SCIENCE! style. It’s because of this movie, I feel it’s high time for a properly made He-Man and the Masters of the Universe movie. Let’s get on this, people. But, I digress.

Overall, Thor: The Dark World was a very good movie. It certainly entertained me more than it was supposed to, and is yet another example of Marvel Studios knocking so many out of the park, I hope the momentum doesn’t trip up too bad.

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